Sony Pictures has officially joined Lionsgate to co-finance and distribute the upcoming adaptation of Masashi Kishimoto’s globally popular manga and anime franchise.

The film will be written and directed by Destin Daniel Cretton, the filmmaker behind Marvel’s Shang-Chi and the Legend of the Ten Rings.

Under the new arrangement, Sony will handle international distribution, while Lionsgate continues overseeing the film’s development, production and domestic release.

And there is finally a production window.

According to the announcement reported on November 3, filming is expected to begin in spring 2027.

For Naruto fans, this represents meaningful progress on a project that has spent years in development.

The original story follows Naruto Uzumaki, a young ninja who grows up facing rejection from his village but dreams of becoming Hokage, its most respected leader.

Since its manga debut in 1999, Naruto has become one of the most recognizable franchises in Japanese entertainment, inspiring anime adaptations, films, video games and an enormous international fan community.

But bringing that world into live action comes with a significant challenge.

From its supernatural fighting techniques and unusual character designs to the emotional relationships that make the story memorable, Naruto has a visual identity that fans know extremely well.

Hollywood’s relationship with anime adaptations has also been complicated, although productions such as Netflix’s One Piece have demonstrated that successful adaptations are possible.

For now, the cast, official release date and detailed storyline remain unannounced.

Still, a new distribution partnership and a planned filming window suggest that Naruto’s journey from animation to live-action cinema is becoming more concrete.

The next major question is one fans will undoubtedly have opinions about: who should play Naruto?

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The rapper and designer, now known as Ye, has announced Yeezy Season 01, a new runway show scheduled for November 4 in Los Angeles.

The presentation will take place at 8 PM local time inside Yeezy’s Droam 1 flagship store on Beverly Boulevard, marking the brand’s first major live runway event since 2022.

The name Season 01 suggests a new chapter for Yeezy, which has undergone significant changes over the past several years.

For much of the 2010s, Yeezy became one of the most recognizable names in contemporary streetwear, particularly through its partnership with Adidas.

Its sneakers, oversized silhouettes and minimalist designs influenced fashion trends far beyond the brand’s own collections.

But that partnership ended in 2022 after Ye made antisemitic statements, prompting Adidas and several other companies to cut ties with him.

Since then, Yeezy has continued operating independently while attempting to rebuild its fashion business.

Earlier this year, the brand began a gradual relaunch through its online store, offering basic clothing pieces and reintroducing its products directly to consumers.

Now, Season 01 marks a return to one of fashion’s most visible platforms: the runway.

Unlike the large-scale Yeezy presentations of previous years, this show will take place inside the brand’s own retail space, reflecting a more independent approach.

The collection itself has not yet been revealed, leaving questions about the designs, models and overall direction of the presentation.

For fashion followers, the event is notable because of Yeezy’s history of influencing streetwear, footwear and celebrity fashion.

At the same time, the return is taking place against the background of Ye’s past controversies, which remain inseparable from the brand’s recent history.

Whether the new collection introduces a different aesthetic or revisits familiar Yeezy designs will become clearer when the show takes place.

For now, Yeezy is returning to the runway, and the fashion industry will be watching what comes next.

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The announcement, made on October 31, introduced 12 character posters alongside updates concerning the production team behind the series’ upcoming continuation.

Adapted from Gege Akutami’s manga, Jujutsu Kaisen has become one of the most recognizable anime franchises of recent years, building an international audience through its supernatural battles, complex characters and increasingly dark storytelling.

The Culling Game represents a major turning point in the narrative. Following the events of the Shibuya Incident, the story introduces a deadly competition involving sorcerers, dangerous techniques and a system of rules that forces its participants into increasingly difficult situations.

The newly released artwork places several of the story’s characters back in the spotlight as anticipation builds around the anime’s next chapter.

The production update also outlines changes within the directing team. According to the announcement, Takeru Sato is taking on directing responsibilities, while Shota Goshozono is serving as chief director.

Although the new promotional materials provide a closer look at the continuation, they do not establish a confirmed premiere date for the next season.

For fans, the announcement arrives as interest in the franchise remains strong across both anime and manga communities.

Character reveals have become an important part of anime promotion, allowing studios to introduce new designs while generating discussion among viewers familiar with the original material.

With the Culling Game continuing to shape the franchise’s direction, the latest visuals offer another indication of how the adaptation is preparing to bring one of the manga’s most significant storylines to the screen.

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The creation was the result of months of preparation with special-effects artist Mike Marino and his team, who worked to reproduce the intricate details of a human hand on a much larger scale.

Built using a combination of foam, latex and silicone, the costume featured realistic skin textures, visible veins, exposed tissue and replicas of Klum’s wedding rings. A tattoo referencing her husband, Tom Kaulitz, was also incorporated into the design.

The challenge extended beyond appearance. The team had to create a structure large enough to conceal Klum’s body while allowing her to move inside it.

Preparing the final costume reportedly required approximately five to six hours on Halloween night, following months of sculpting, engineering and testing.

Klum has become known for transformations that push the limits of traditional costume design. Previous appearances have included an enormous worm and an elaborate peacock, each involving extensive practical effects and specialized craftsmanship.

Her latest creation continues that tradition while highlighting the work of the artists responsible for bringing such unusual concepts to life.

At a time when artificial intelligence and digital effects are playing a growing role in visual production, Klum’s transformation offers a reminder of the creativity and technical skill behind physical special effects.

The costume attracted attention for its unsettling appearance, but its most remarkable quality may be the amount of human craftsmanship required to make it possible.

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Set in a lawless world shaped by unfamiliar technology and dangerous forces, the series follows a father whose determination to protect his family brings him into conflict with the society around him.

At the center of the story is a familiar moral dilemma: how far can someone go in the pursuit of justice before their actions begin to threaten the people they are trying to protect?

The series draws inspiration from the visual language of classic Westerns, incorporating elements of steampunk, a genre that imagines advanced or unusual machinery within settings influenced by an earlier industrial age.

The combination creates a world in which traditional frontier landscapes exist alongside mechanical technology and supernatural dangers.

Bass X Machina is produced by Studio Mir, the South Korean animation studio known for its involvement in several internationally successful animated productions.

Its creative team includes Brian Tyree Henry, LeSean Thomas, Jennifer Wiley-Moxley and Chad Handley, with an English-language voice cast featuring Henry, Tati Gabrielle and Janelle Monáe.

The project reflects the continuing expansion of adult-oriented animated storytelling, particularly on streaming platforms where creators are increasingly experimenting with genre combinations and unconventional fictional worlds.

Rather than relying on familiar fantasy settings, Bass X Machina brings together the atmosphere of a Western, the visual possibilities of animation and the themes of a family drama.

Its unusual premise makes it one of Netflix’s more distinctive additions to the November release calendar, particularly for viewers interested in animation that moves beyond traditional genre boundaries.

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That wasn’t on our 2026 bingo card.

My Chemical Romance has released a new animated short film called Prelude to the End, featuring a surprisingly stacked voice cast.

And it’s exactly as strange as you might expect from the band behind The Black Parade.

A very unexpected cast.

The film was created in collaboration with visual artist Lauren Tsai and features Billie Eilish, Phoebe Bridgers, video-game creator Hideo Kojima and actor John C. McGinley.

But they’re not playing themselves.

The story follows Astrid, a student at a boarding school in New England where garbage seems to be taking over everything.

After losing her sketchbook, Astrid climbs into a garbage chute to retrieve it.

Instead, she finds herself in a bizarre world where forgotten ideas come to life.

Billie Eilish voices Astrid’s close friend, while Phoebe Bridgers plays her sister.

Hideo Kojima voices a character known as the Teacher.

Why is my chemical romance doing this?

The short arrives alongside celebrations marking 20 years of the band’s iconic album The Black Parade.

Known for turning music into elaborate fictional worlds, My Chemical Romance has always been interested in storytelling beyond ordinary songs and performances.

And Prelude to the End continues that tradition.

The film is also scheduled to screen during the band’s Hollywood Bowl concerts on October 30 and 31, the final nights of a special residency celebrating the album.

Music, Animation and video games in one place.

What makes this project particularly interesting is how many creative worlds it brings together.

Billie and Phoebe have their own musical identities. Kojima is known for making video games that often feel like movies.

And Lauren Tsai brings a distinctive illustration style to the project.

Together, they’ve created something that doesn’t fit neatly into one category.

It’s part animated film, part music-world storytelling and part surreal nightmare.

And somehow, everyone involved makes sense.

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The DJ has teamed up with the anime franchise for another merchandise collaboration, this time spotlighting one of the series’ most complicated friendships.

And if you’re a fan of Satoru Gojo and Suguru Geto, you’ll probably recognize the inspiration immediately.

Two sorcerers. One very complicated story.

The latest collaboration draws from Jujutsu Kaisen’s Hidden Inventory storyline, which explores the past relationship between Gojo and Geto.

Before becoming enemies, the two were close friends studying at Jujutsu High.

Their relationship became one of the most emotional parts of the series, with fans still discussing what happened between them.

Now, that storyline is being turned into streetwear.

One of the collection’s designs is a black hoodie featuring a Marshmello and Jujutsu Kaisen logo on the front.

On the back, Gojo and Geto appear in illustrated panels, accompanied by symbolic betta fish imagery.

It’s a design that goes beyond simply printing an anime character on a piece of clothing.

When can fans get it?

The hoodie is listed for preorder through the official TOHO animation Store in the United States, with an advertised price of $85.

Estimated shipping is scheduled for December 2026.

Other merchandise details and regional availability may vary, and Moroccan distribution hasn’t been confirmed.

Anime merch is becoming streetwear.

Collaborations between music artists, fashion labels and anime franchises are becoming increasingly common.

And Jujutsu Kaisen is particularly well suited to that crossover.

Its recognizable characters, darker visual style and passionate fanbase have helped turn the series into a cultural reference far beyond anime communities.

For Marshmello, the collaboration also connects music culture with another global fandom.

For fans, it’s another opportunity to wear something inspired by their favorite characters.

And for anyone emotionally invested in Gojo and Geto’s friendship?

The hoodie might bring back a few memories.

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The Manchester City striker has also found a way to turn his personality into something people want to follow online.

And now, Instagram is recognizing him for it.

Haaland has been named among the 25 winners of the 2026 Instagram Rings Awards, celebrating people who bring originality and creativity to the platform.

Yes, the footballer is officially an award-winning Instagram creator too.

Wait, what are the Instagram rings awards?

Instagram introduced Rings in 2025 to recognize creators who stand out for their creativity, originality and willingness to try something different.

Unlike awards based purely on popularity or follower counts, Rings focuses on how creators influence culture and connect with their audiences.

The 2026 winners were selected by a panel featuring figures from fashion, music, film and sports.

Among the judges were A$AP Rocky, Donatella Versace, FINNEAS and filmmaker Chloé Zhao.

Haaland was recognized for combining his football career with a social media presence that shows a different side of his personality.

So, what does he win?

And yes, the award actually comes with a ring.

This year’s physical award was designed by fashion designer Emily Adams Bode Aujla.

Winners also receive exclusive Instagram features, including a golden ring around their Stories, additional profile customization options and special Like-button effects.

Basically, even their Instagram profiles get a little upgrade.

From football star to content creator. 

With more than 76 million followers, Haaland has built an audience that goes far beyond Manchester City supporters.

His account mixes football achievements with humor, unusual posts and glimpses of his life outside the stadium.

And that’s what makes this award interesting.

We’re used to seeing athletes celebrated for their performances on the pitch.

But social media has created another space where their personalities can become part of pop culture.

So, Haaland might spend his weekends scoring goals.

But apparently, his Instagram game is award-winning too.

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Season 2 of Dexter: Resurrection premieres today, October 30, on Paramount+, bringing Michael C. Hall back as television’s most famous blood-spatter expert with a very dark secret.

And this time, he’s not the only dangerous person in town.

Two new killers. One familiar face.

The new season introduces two major threats.

Brian Cox joins the cast as the New York Ripper, an infamous serial killer who has spent years escaping justice.

Meanwhile, Dan Stevens plays the Five Borough Killer, a younger murderer determined to make a name for himself.

And somewhere between hunting killers and hiding his own dark side, Dexter is dealing with something he probably wasn’t expecting. A midlife crisis.

Yes, even serial killers apparently have those.

And what about Harrison?

Dexter’s complicated relationship with his son isn’t getting any easier.

Harrison, played by Jack Alcott, continues searching for his own version of justice, while father and son face another dangerous chapter together.

Uma Thurman also returns as Charley, alongside several familiar faces from the first season.

Twenty years later, Dexter is still here.

It’s been two decades since Dexter first premiered in 2006, introducing audiences to a forensic expert secretly living as a serial killer.

Since then, the franchise has expanded through Dexter: New Blood, Dexter: Original Sin and Dexter: Resurrection.

Now the story continues with 10 new episodes, released weekly every Friday on Paramount+ Premium.

For longtime fans, it’s another chance to enter Dexter’s twisted world.

For everyone else, here’s your reminder that New York might not be the safest place to be this season.

Same Dexter. New killers. More blood.

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Fenty Beauty has teamed up with CASETiFY for a new collection called Glam on the Go, combining phone accessories with everyday beauty essentials.

And the idea is pretty simple: why dig through your bag looking for lip gloss when you could attach it directly to your phone?

Your phone basically a makeup bag now.

The collaboration features 29 pieces, including 16 CASETiFY exclusives, ranging from protective phone cases and mirrors to straps, charms and magnetic accessories.

But the real star of the collection is the On The Go Essentials MagSafe 2-in-1 Holder.

The accessory attaches to the back of a compatible phone and holds two Fenty favorites: a mini Gloss Bomb lip gloss and a mini Invisimatte blotting powder.

Basically, your emergency makeup touch-up kit now lives on your phone.

The collection also includes mirror phone cases, designs featuring Rihanna’s hand-drawn lip illustration and crossbody straps for carrying your phone hands-free.

But how much does it cost?

The collection launched on October 28 through CASETiFY and selected retail locations.

On Fenty Beauty’s Moroccan website, the MagSafe holder is listed at 540 MAD, while a matching case and mini makeup bundle is listed at 1,478 MAD. Availability may vary.

Is this the future of beauty accessories ?

Fenty isn’t the first brand to combine makeup and technology, but the collaboration shows how beauty products are becoming part of everyday fashion accessories.

Phone cases are no longer only about protecting your screen. They’re becoming mirrors, makeup holders and pieces of an outfit.

And with Rihanna behind the collaboration, even something as ordinary as checking your phone can turn into a beauty moment.

The only question is whether carrying your lip gloss on your phone is actually convenient or another thing we never knew we needed.

Either way, Rihanna might have found a new way to make sure nobody forgets their Gloss Bomb at home.

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Nespresso et Swarovski ont dévoilé, le 28 octobre 2026, une collection commune destinée à accompagner la saison des fêtes de fin d’année. Cette collaboration entre la marque de café portionné du groupe Nestlé et l’entreprise autrichienne spécialisée dans le cristal repose sur le développement d’une gamme de produits associant cafés, accessoires et objets décoratifs.

À travers cette initiative, les deux marques entendent rapprocher leurs univers respectifs en proposant des éditions limitées caractérisées par des couleurs et des motifs inspirés de l’identité visuelle de Swarovski. Le design de la collection reprend notamment la forme octogonale emblématique de la marque autrichienne, ainsi que plusieurs éléments de sa palette chromatique.

Cette collaboration s’accompagne également d’une campagne de communication construite autour de la signature « What Else? » de Nespresso, mettant en avant les produits de la collection et leur dimension festive.

De nouvelles références de cafés en édition limitée

La collection comprend plusieurs références de cafés destinées aux systèmes Original et Vertuo de Nespresso.

Parmi les nouveautés figure Festive Crystal Spark, décliné en version Espresso pour Original et Double Espresso pour Vertuo. Cet assemblage associe des cafés Arabica provenant du Guatemala et du Costa Rica à un Robusta d’origine asiatique.

Selon la présentation des produits, ce café se distingue par des notes de céréales grillées et de cacao doux, accompagnées de nuances de caramel et d’épices.

Deux nouvelles références aromatisées complètent cette offre. Élaborées à partir d’Arabicas du Brésil et de Colombie, elles proposent des profils gustatifs inspirés de desserts.

La première, Hazelnut Brownie Flavored, associe des arômes de brownie à des notes de noisettes torréfiées. La seconde, Blueberry Cheesecake Flavored, développe des notes de myrtille, de cheesecake et de caramel doux.

Ces nouvelles références viennent compléter l’offre saisonnière de Nespresso, qui mise régulièrement sur des créations aromatisées et des éditions limitées pour renouveler sa gamme à l’occasion des fêtes.

Une machine CitiZ Platinum et plusieurs accessoires exclusifs

La collaboration entre les deux marques ne se limite pas aux cafés. Elle comprend également une sélection d’équipements et d’accessoires reprenant les codes esthétiques de Swarovski.

L’un des principaux produits présentés est une version particulière de la machine CitiZ Platinum de Nespresso, dont le design a été enrichi d’éléments en cristal.

Cette déclinaison associe les caractéristiques de la machine à une finition décorative conçue pour cette collaboration.

La collection comprend également deux ornements en cristal inspirés des capsules emblématiques des systèmes Original et Vertuo. Ces objets décoratifs reprennent la forme des capsules Nespresso tout en intégrant le travail du cristal propre à Swarovski.

Des tasses Pixie exclusives sont également proposées dans deux coloris : vert pour le format Espresso et rose pour le format Lungo.

Autre nouveauté, le Travel Mug de Nespresso a été revisité dans une version en acier inoxydable vert, habillée d’un motif inspiré de Swarovski. Il est accompagné d’un porte-gobelet assorti, orné de 36 cristaux verts.

Cette diversification des produits permet aux deux entreprises de proposer une gamme allant des consommables aux accessoires de dégustation et aux objets décoratifs.

Des calendriers de l’Avent et des produits gourmands

À l’approche des fêtes de fin d’année, Nespresso propose également de nouvelles éditions de ses calendriers de l’Avent, disponibles pour les systèmes Original et Vertuo.

Ces coffrets réunissent différentes références de cafés, dont certaines déjà présentes dans les gammes de la marque. Plusieurs compartiments contiennent deux capsules, tandis qu’un accessoire exclusif est également intégré à chaque calendrier.

La collection comprend par ailleurs une sélection de chocolats de Madagascar, dont la présentation reprend les formes géométriques inspirées des tailles du cristal.

Ces produits s’inscrivent dans la stratégie de diversification de l’offre de Nespresso autour de l’univers de la dégustation et des cadeaux de fin d’année.

Des recettes développées autour des nouvelles saveurs

Pour accompagner le lancement, Nespresso a également élaboré plusieurs recettes à partir des cafés de la collection.

Le Blueberry Cheesecake Creamy Iced Latte propose une préparation glacée à base de Blueberry Cheesecake Flavored, tandis que le Hazelnut Pink Brownie Mocktini associe la référence Hazelnut Brownie Flavored à du lait et du chocolat.

Une troisième recette, baptisée Crystal Spark Matcha Affogaccino, revisite l’affogato en combinant le café Festive Crystal Spark, de la glace à la pistache, une mousse de lait au matcha et des éclats de pistache.

Ces préparations visent à élargir les possibilités de consommation des nouvelles références, au-delà de la dégustation traditionnelle du café.

Une collection disponible au Maroc depuis le 29 octobre

La collection festive Nespresso x Swarovski est commercialisée au Maroc depuis le 29 octobre 2026, dans les boutiques Nespresso et sur la plateforme de vente en ligne de la marque, pour une durée limitée.

Ce lancement intervient alors que Nespresso poursuit le développement de ses activités sur le marché marocain. Depuis juillet 2021, la marque a renforcé sa présence dans le Royaume à travers une gestion directe de ses opérations par Nestlé Maroc.

Sur le plan international, Nespresso indique collaborer avec plus de 130.000 caféiculteurs dans 18 pays dans le cadre de son programme Sustainable Quality Plan, lancé en 2003 en partenariat avec l’organisation Rainforest Alliance. Ce dispositif vise notamment à accompagner les pratiques agricoles, la qualité des récoltes et les conditions de vie des producteurs.

De son côté, Swarovski, entreprise fondée en Autriche en 1895, est présente dans plus de 140 pays et dispose d’un réseau de quelque 2.300 boutiques, complété par des partenaires multimarques.

LNT

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Selena Gomez and Demi Lovato have reunited for a new Rare Beauty campaign, bringing back their Princess Protection Program era nearly two decades later.

And yes, they recreated the iconic princess looks.

Once a princess , always a princess.

The two stars, who appeared together in Disney Channel’s 2009 movie Princess Protection Program, have teamed up for a limited-edition Rare Beauty blush collection called Delena.

The name comes from the fan-created nickname that followed the pair throughout their Disney years.

The collaboration features two shades of Rare Beauty’s popular Soft Pinch Liquid Blush: Hope, Selena’s chosen nude mauve, and Virtue, Demi’s beige peach.

The bundle also includes a blush brush and is priced at $50.

But the makeup isn’t even the part fans are most excited about.

Disney nostalgia is doing its thing.

For the campaign, Selena and Demi recreated moments from Princess Protection Program, wearing updated versions of their characters’ blue and yellow outfits.

They also returned to their old YouTube video era, filming a playful reunion inspired by The Demi and Selena Show.

The two originally met as children on Barney & Friends before becoming Disney Channel stars.

Over the years, their friendship has had its ups and downs, making their reunion particularly meaningful for fans who grew up following them.

The new campaign, titled Still Making Each Other Blush, celebrates that history.

And while the collaboration doesn’t introduce a completely new blush formula, it does bring together two stars whose friendship became part of an entire generation’s childhood.

For fans, this is less about buying another beauty product.

It’s about seeing Carter and Rosalinda together again.

And suddenly, it’s 2009.

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For its new holiday campaign, Drawing Prada: Animated by Hand, the luxury house worked with John Pomeroy, a veteran Disney animator known for his work on films including Pocahontas, The Fox and the Hound and Fantasia 2000.

And the result looks like something straight out of a childhood fairytale.

Disney magic meets high fashion.

The campaign stars Sadie Sink, Maya Hawke, Chen Haoyu, Luther Ford and Kelvin Harrison Jr.

Instead of posing against ordinary studio backgrounds, the actors step into imaginary winter worlds filled with hand-drawn animals, snowy landscapes and playful little stories.

In one scene, animated mice try to steal Sadie Sink’s Prada shoes. In another, Maya Hawke appears alongside an illustrated fox.

The animation was created by artists led by Pomeroy, while photographer Glen Luchford captured the live-action elements.

And the best part? It’s drawn by hand. 

At a time when AI-generated images are becoming increasingly common in advertising, Prada chose to highlight the people behind the creative process.

The illustrations were drawn by hand, bringing back a technique that defined generations of animated films.

It’s not necessarily a statement against AI. But it does raise an interesting question about what makes creative work special.

When technology can generate an entire fantasy world in seconds, does knowing that a human artist drew every character change how we experience it?

Prada seems to think that human creativity is worth celebrating.

And judging by how nostalgic the campaign feels, there’s still something magical about a pencil, a piece of paper and a little imagination.

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Breaking your own record less than 24 hours later? That’s a completely different level.

Zara Larsson has made history at Auckland’s Spark Arena in New Zealand, setting a new attendance record on two consecutive nights.

And the numbers are surprisingly close.

Two nights. Two records.

On Sunday, October 25, the Swedish pop star performed in front of 12,796 fans, breaking the venue’s previous attendance record.

The record had been held by Linkin Park, who attracted 12,736 fans earlier this year.

But Zara wasn’t finished.

The following night, October 26, she returned to the same arena and welcomed 12,798 fans.

That’s right.

She broke her own record by two people.

Across both performances, a total of 25,594 fans attended, marking a huge ending to the Australian and New Zealand leg of her Midnight Sun Tour.

Zara’s pop era is getting bigger.

The achievement follows another major moment for the singer.

Just days earlier, she performed in front of nearly 18,000 people in Sydney, marking the biggest headline concert of her career so far.

For an artist who first gained international attention with hits like Lush Life and Never Forget You, the recent success reflects how much her live audience has grown.

And with songs from her Midnight Sun era building momentum, Zara has continued connecting with both longtime listeners and a new generation discovering her music online.

But the funniest part?

The difference between her first record and her second was literally two fans.

Somewhere in Auckland, two people can probably claim they helped Zara Larsson make history.

The singer has played some of the biggest shows of her career this year.

And if these numbers are anything to go by, her audiences aren’t getting smaller anytime soon.

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The Belgian-Moroccan artist has officially had his work accepted for consideration in two GRAMMY categories: Best New Artist and Best Global Music Performance.

And while this doesn’t mean he’s been nominated or won an award, it’s another major step in a career that has been crossing borders for years.

From Moroccan roots to global recognition 

If you’ve been following DYSTINCT, you already know his music doesn’t really fit into one box.

He blends Arabic influences with pop and urban sounds, creating songs that travel far beyond Arabic-speaking audiences.

With over two billion Spotify streams and collaborations with artists including GIMS, French Montana, J Balvin, MHD and Morad, he’s built an international presence without leaving his musical identity behind.

His goal has always been pretty clear: make the world sing in Arabic.

And he’s getting closer.

Why this Grammy moment matters?

DYSTINCT’s latest milestone follows another important achievement: joining the Recording Academy’s Class of 2026 as a voting member.

For an artist whose music moves between languages and cultures, having work considered in two GRAMMY categories is a meaningful development.

But there’s a bigger conversation here.

For years, Arabic-language artists have built massive audiences without always receiving the same recognition from major international music institutions.

DYSTINCT’s journey is another reminder that artists don’t necessarily need to switch languages to reach global audiences.

The world is already listening. Now the question is how far Arabic music can go on the international award stage.

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Himself.

The rapper has officially been announced as the headliner of the 2027 Apple Music Super Bowl Halftime Show, scheduled for February 14 at SoFi Stadium in California.

And considering how much influence he’s had over the halftime show in recent years, this announcement feels like a full-circle moment.

From choosing the artists to being the artist 

Since 2019, JAY-Z’s company Roc Nation has worked with the NFL to shape the musical direction of the halftime show.

During that time, the stage has welcomed artists including Rihanna, The Weeknd, Usher, Kendrick Lamar and Bad Bunny.

But despite his involvement behind the scenes, JAY-Z had never performed as a halftime headliner himself.

Until now.

The announcement also comes during a milestone year for the rapper, who’s celebrating three decades since the release of his debut album, Reasonable Doubt.

His career has since grown far beyond music, with 25 Grammy wins and major influence across entertainment, fashion and business.

So, who’s joining him? 

That’s the question everyone’s already asking.

Over the years, JAY-Z has worked with some of the biggest names in music, including Beyoncé, Kanye West, Rihanna and Alicia Keys.

And the Super Bowl is known for surprise appearances.

But no surprise guests have been officially confirmed, so any dream lineup is still speculation.

What we do know is that this performance will put one of hip-hop’s most influential figures on one of the world’s biggest entertainment stages.

After years of watching him help build the halftime show’s legacy, audiences are finally getting a performance built around his own.

And on Valentine’s Day, no less.

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Dictionary.com has officially named “maxxing” its Word of the Year for 2026, proving once again that internet slang is making its way into our everyday vocabulary.

And if you’ve spent any time on TikTok lately, you’ve probably already encountered it.

BUT WHAT DOES “MAXXING” ACTUALLY MEAN?

The word comes from maximizing, and it’s basically about taking something to its highest possible level.

Going to the gym? That’s gymmaxxing.

Trying to improve your appearance? Looksmaxxing.

Prioritizing rest and relaxation? Cozymaxxing.

There’s even nonnamaxxing, which means adopting the habits of an Italian grandmother to improve your lifestyle.

Yes, people are now turning literally anything into a self-improvement strategy.

How did we get here?

The term originally gained popularity in online communities, particularly through looksmaxxing, a trend focused on improving physical appearance.

Over time, the internet started attaching “maxxing” to almost everything, from fitness and productivity to sleeping and doing absolutely nothing.

What started in niche online spaces has become a recognizable part of internet culture.

According to Dictionary.com, searches for the term increased significantly throughout 2026, helping it earn the title.

Are we taking self-improvement too far? 

Here’s where things get interesting.

Some people use maxxing seriously, as motivation to improve their habits. Others use it ironically, making fun of the pressure to constantly become a better version of themselves.

Because somewhere between optimizing our sleep, appearance, careers and morning routines, even relaxing has started to sound like a productivity challenge.

And perhaps that’s why the word captures 2026 so perfectly.

We’re a generation trying to improve everything, including things that probably didn’t need improving in the first place.

So, what’s next? Doingnothingmaxxing?

At this point, we wouldn’t be surprised.

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French Montana is set to perform at the 2026 Ballon d’Or ceremony in London, sharing the entertainment lineup with British singer Jorja Smith.

The two artists will bring a musical touch to the ceremony, which celebrates its 70th anniversary this year.

And with French Montana on the lineup, there’s already a Moroccan connection to the evening before the awards are even handed out.

Football, music and a little Moroccan representation.

The Ballon d’Or has become more than an awards ceremony. It’s also a night of celebrity appearances, fashion moments and performances, bringing the worlds of sport and entertainment together.

This year’s edition is taking place at the London Palladium, with football’s biggest names gathering to find out who will take home the trophies.

And Morocco has more than one reason to tune in.

Achraf Hakimi, Yassine Bounou and Ayyoub Bouaddi are among the Moroccan players nominated for awards, adding another layer of interest for fans back home.

Between the nominees, the red carpet and the performances, there’s plenty to follow beyond the announcement of the winners.

French Montana and Jorja Smith are part of the night’s entertainment lineup, although a joint performance hasn’t been confirmed.

Moroccan names in the nominations and French Montana onstage. Tonight’s Ballon d’Or has a little something for Morocco.

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Drake celebrated turning 40 by giving guests luxury handbags, handing out enormous cash prizes and bringing the Backstreet Boys onstage.

Yes, the Backstreet Boys.

The rapper kicked off his birthday celebrations on October 23 at Casa Cipriani in New York, ahead of his birthday the following day.

According to People and Vogue, approximately 400 guests attended the event.

And the party favors were definitely not ordinary.

Some guests reportedly received luxury handbags from Chanel and Hermès, including Birkin and Kelly bags.

But that wasn’t even the biggest giveaway.

Imagine going to a birthday party and leaving with $1 Million.

The evening reportedly featured game-show-style prize giveaways, including cash amounts ranging from $10,000 to a grand prize of $1 million.

And then there was the music.

The Backstreet Boys performed their 1999 hit I Want It That Way, with Drake joining them onstage.

An unexpected musical combination, although the rapper has previously performed with the group during a Toronto concert in 2022.

The fashion was equally dramatic.

Drake wore a sparkling black tuxedo with wide-leg trousers and a diamond-covered Rolex Daytona reportedly worth millions.

He followed the first celebration with another party on Saturday, switching into a cheetah-print Chrome Hearts jacket and bright red leather trousers.

Jamaican artist Popcaan also joined the entertainment.

The celebrations came during another major period in Drake’s career, with new RIAA certifications adding to his commercial achievements.

But for once, the music statistics weren’t the biggest talking point.

It was the birthday itself.

Luxury handbags, a seven-figure prize and a surprise performance from one of the most recognizable boy bands of the 1990s.

Turning 40 apparently wasn’t enough for Drake. He had to make sure everyone else remembered it too.

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And no, they’re not going to whoever posts the most selfies, has the most followers or gets the most likes.

The platform is bringing back Instagram Rings, an awards programme introduced in 2025 to recognize creators doing something original with their content.

Think filmmakers, musicians, fashion designers, visual artists and people who have developed their own creative identity online.

The goal is to celebrate originality, creative risks and cultural influence, rather than simply rewarding popularity.

And this year, Instagram has assembled an unusual judging panel.

Wait, A$ap Rocky is a judge?

Yes. And he’s not alone.

The 14-person panel includes A$AP Rocky, FINNEAS, Donatella Versace, filmmaker Chloé Zhao, designer Emily Adams Bode Aujla and Instagram head Adam Mosseri.

The judges nominate creators and vote to select the winners.

But here’s something important: you can’t submit an application.

Instagram’s teams and judging panel identify and nominate potential recipients, meaning there isn’t a public entry form.

So what do winners get?

An actual ring.

The physical award for 2026 was designed by Emily Adams Bode Aujla and features a four-leaf clover crafted from Connemara marble.

Winners also receive special digital features for their Instagram profiles, including a distinctive gold ring around their profile picture when they post Stories.

There’s no announced cash prize.

The recognition is intended to highlight creators and make their work more visible.

Instagram recognized 25 creators during its first edition, with a larger group expected to receive awards this year.

The 2026 winners are scheduled to be revealed on October 29.

And while social media has spent years teaching everyone to care about followers, views and engagement, Rings is trying to draw attention to something different.

Creativity that stands out for reasons beyond the algorithm.

Now the interesting question is whether the awards will introduce audiences to creators they would never normally discover.

And perhaps, one day, that could include more Moroccan talent.

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Apparently, you get an entire cultural experience in Barcelona.

Nike, FC Barcelona and Spotify have joined forces with Tyler, The Creator and his fashion label GOLF WANG for a new collection and temporary creative space ahead of El Clásico.

And no, this isn’t an ordinary football merchandise launch.

The collaboration includes an 11-piece collection combining Barça’s identity with Tyler’s colorful, unconventional approach to fashion.

Alongside the clothing, the partners opened a pop-up called (The) Creator’s Àgora in Barcelona’s Gothic Quarter.

Football is becoming a whole cultural experience.

The space opened on October 15 and runs until October 25, the day Barcelona faces Real Madrid.

Located on Carrer dels Boters, it brings together fashion, music, art and photography.

Visitors can explore installations, attend creative events and discover the collection in an environment designed around Tyler’s artistic universe.

The clothing collaboration includes a special Barcelona jersey, with a limited run of 1,899 pieces referencing the club’s founding year.

And the timing is no coincidence.

El Clásico is already one of the world’s biggest football events, attracting fans far beyond Spain.

By connecting the match with fashion and music, the brands are creating an experience that appeals to people who might not even follow football regularly.

For Tyler, whose work extends from music into fashion and visual design, the collaboration fits naturally into his creative identity.

For Barcelona and Nike, it’s another example of football becoming part of contemporary streetwear culture.

A club shirt is no longer something people wear only to support a team.

It can also be a fashion statement.

And this collaboration is taking that idea pretty seriously.

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The BLACKPINK member released her new six-track EP, PRESS PLAY, on Friday, October 23, along with a music video for the song Tarantino.

And if that title sounds familiar, yes, it’s a reference to filmmaker Quentin Tarantino.

The project follows LISA’s 2025 solo album Alter Ego and marks another step in her career outside BLACKPINK.

The EP includes six tracks: SaWaDiKa, V12, Cobra, Tarantino, Cut U Off and Sweat.

But there’s more to it than another collection of pop songs.

LISA wants you to experience this like a film.

The concept behind PRESS PLAY is cinematic storytelling.

Rather than having every track follow the same sound or mood, LISA describes the songs as different characters coming together to create one larger experience.

And that approach is especially visible in the Tarantino music video.

The visuals follow LISA as she moves through a hotel on a mission to deliver a letter to the filmmaker she admires.

Expect action-inspired sequences, dramatic styling and the kind of polished choreography her fans know her for.

The project also draws inspiration from her Thai identity.

Earlier single SaWaDiKa takes its title from a Thai greeting, while its visuals incorporate references to Bangkok and traditional elements of Thai culture.

For LISA, representing her roots has become an increasingly important part of her solo work.

The EP also arrives ahead of another career milestone: her upcoming Las Vegas residency.

Between new music, cinematic visuals and international performances, she’s building a solo identity that extends well beyond her role in BLACKPINK.

And with a song named after one of cinema’s most recognizable directors, LISA clearly isn’t trying to make this era look ordinary.

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And considering everything she’s been through in the music industry, this one feels particularly significant.

The British singer won the 2026 Mercury Prize on Thursday night for her second studio album, This Music May Contain Hope.

The award recognizes outstanding albums by British and Irish artists, and this year’s competition included some pretty major names.

Paul McCartney, Olivia Dean, Florence + The Machine, JADE and Nia Archives were among the shortlisted artists.

Yes, RAYE won in a year when a former Beatle was also nominated.

But the most interesting part of the story isn’t who she competed against.

It’s how she got here.

From label frustration to award-winning artist.

In 2021, RAYE publicly discussed her frustrations with her former record label, saying she had been prevented from releasing her debut album.

She later became independent and released My 21st Century Blues, the project that brought her major international recognition.

The album went on to earn her a record-breaking six awards at the 2024 BRIT Awards.

Now, her second album is receiving another major recognition.

This Music May Contain Hope moves between jazz, R&B, soul, orchestral arrangements and dramatic pop storytelling.

Rather than building the project around one specific sound, RAYE created an album that shifts between different musical styles and emotional moments.

During the Mercury Prize ceremony in Newcastle, she also performed I Hate The Way I Look Today with a live band.

For an artist who once struggled to release a full album, winning an award that specifically celebrates albums makes the moment even more meaningful.

And for younger artists trying to find their place in the music industry, RAYE’s story is a reminder that creative control can matter as much as commercial success.

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The sibling duo has teamed up with luxury jewelry brand John Hardy to launch their first co-designed jewelry collection, released on October 21.

And no, this isn’t another celebrity collaboration where someone puts their name on a product and calls it a day.

Billie and Finneas worked directly with the brand’s design teams in New York and Bali, helping create everything from the shapes to the materials.

The result? Two collections that couldn’t look more different.

Wildflower or Screwball?

The first, Wildflower, takes its name from Billie’s Grammy-winning song on Hit Me Hard and Soft.

Think delicate silver flowers, small diamonds, necklaces, rings and earrings. It’s soft, romantic and inspired by Billie’s more understated everyday style.

Then there’s Screwball, which goes in the opposite direction.

Chunky silver chains, sculptural bracelets and hardware-inspired rings bring a much bolder, industrial aesthetic.

Basically, two very different moods from the same creative duo.

Sustainability also plays a role. The pieces are handcrafted using more than 99% reclaimed sterling silver, with lab-grown diamonds appearing in selected designs.

And if you’re wondering about prices, the collection ranges from $195 to $2,400.

So yes, we’re firmly in luxury territory.

From making hits to making accessories.

This isn’t the siblings’ first connection with John Hardy. They became creative partners with the brand in 2025, but this marks their first collection as co-designers.

The launch also comes with a dreamy campaign featuring both artists, filmed on Super 8 and filled with flowers, shadows and soft lighting.

For two people who have spent years creating music together, moving into fashion feels like another extension of their creative partnership.

And now fans have a new question to answer:

Are you a Wildflower person or a Screwball person?

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Because apparently, even a tiny desk deserves a serious outfit.

The rapper delivered her Tiny Desk performance on October 19, bringing a nine-piece live band and a setlist featuring some of her biggest hits, including Bodak Yellow, I Like It and Up.

But beyond the music, people had plenty to say about what she was wearing.

Cardi arrived in a vintage Thierry Mugler jacket featuring celestial embellishments, paired with black latex trousers, square-toe boots and a sleek updo.

And if the jacket looked familiar to fashion lovers, there’s a reason.

The design closely resembles a piece Naomi Campbell wore on Mugler’s Fall 1990 runway.

Cardi B and Mugler? A love story at this point. 

This isn’t the rapper’s first time bringing archival Mugler into the spotlight.

Her longtime stylist, Kollin Carter, has helped establish Cardi as one of the celebrities keeping the designer’s theatrical fashion legacy alive.

Remember her dramatic vintage Mugler look at the 2019 Grammys? That was another moment from the same fashion partnership.

And while the outfit might have stolen some attention, the performance itself delivered plenty.

Cardi performed with a live band, reworking familiar songs into a more intimate concert experience without losing the energy she’s known for.

The result was a reminder that Tiny Desk performances can be about more than stripping music down to its basics.

Sometimes, they’re also an opportunity for artists to show another side of themselves.

Cardi brought the hits, the personality and a little fashion history into one room.

The desk was tiny. The fashion moment definitely wasn’t.

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After the success of their first collaboration earlier this year, the British designer and American clothing brand have announced a second collection, arriving on October 23.

And this time, the focus is on dressing for colder weather without sacrificing style.

The Fall/Winter 2026 collection features 37 pieces, bringing Victoria Beckham’s signature polished aesthetic to Gap’s everyday wardrobe essentials.

Think oversized coats, structured jackets, cashmere sweaters, wide-leg trousers and denim with a designer touch.

Basically, the kind of wardrobe that makes even a simple coffee run look like a fashion campaign.

So, what’s different this time ? 

While their first collection leaned into classic denim, khaki and spring essentials, the second drop puts more emphasis on layering, texture and outerwear.

The color palette takes inspiration from artworks in the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art.

Expect deep greens, chocolate browns, charcoal and rich burgundy tones.

The campaign stars model Mona Tougaard, photographed by Glen Luchford, with styling by Alastair McKimm.

And for anyone wondering about prices, the collection ranges from $28 to $368, making it more accessible than Victoria Beckham’s main designer label, although certainly not every piece qualifies as budget-friendly.

The collaboration also reflects a bigger fashion trend.

Luxury designers are increasingly teaming up with established everyday brands, giving shoppers access to recognizable designer aesthetics without the usual runway price tags.

For Gap, it’s another opportunity to reposition its wardrobe basics as fashion pieces.

For Victoria Beckham, it’s a chance to bring her design language to a much wider audience.

The collection officially launches online and in selected stores on October 23.

And considering how quickly the first collaboration sold out, fashion fans might want to keep an eye on this one.

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Where exactly are we supposed to wear that?

Now, designers at Shanghai Fashion Week are exploring a slightly different direction.

According to a new Vogue report published on October 20, the Spring/Summer 2027 collections marked an important shift among China’s independent fashion labels.

Instead of focusing exclusively on dramatic runway moments, several designers are creating collections that balance experimentation with clothes people can incorporate into everyday life.

And no, that doesn’t mean fashion is becoming boring.

Brands including Shushu/Tong, Pronounce and RuiBuilt presented collections that maintained their recognizable artistic identities while paying greater attention to versatility and practical styling.

Think interesting silhouettes, thoughtful layering, contemporary tailoring and pieces that can move between different occasions.

But the shift isn’t only about design.

China’s fashion industry is also experiencing changes in how independent labels connect with customers.

Rather than depending entirely on traditional showrooms and retailers, more brands are exploring their own stores, temporary retail spaces and direct relationships with shoppers.

It’s a response to a changing luxury market where attracting attention isn’t always enough to build a sustainable business.

For younger consumers, this direction could be particularly interesting.

After years of microtrends, viral clothing pieces and outfits designed primarily for social media, there’s growing appeal in fashion that feels distinctive without being impossible to wear outside a photoshoot.

Shanghai’s designers aren’t abandoning creativity.

They’re exploring how creativity can exist alongside everyday wardrobes.

And that might be the most interesting part of the new collections.

The next big fashion statement doesn’t necessarily need to be the loudest piece in the room.

Sometimes, it’s the one you’ll actually want to wear again.

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There were extravagant wings, major celebrity appearances and a Fantasy Bra worth millions.

But one of the evening’s most meaningful fashion moments came from someone who helped define the show long before social media existed.

Karen Mulder, one of Victoria’s Secret’s original Angels, returned to the runway at 57.

The Dutch supermodel made a surprise appearance during the October 18 show in Los Angeles, wearing an elegant black satin gown with matching accessories.

And for longtime fashion followers, her return carried a special significance.

Mulder was one of the defining faces of the 1990s supermodel era, appearing in major campaigns, magazine covers and runway shows for some of the industry’s most recognizable designers.

She also played an important role in Victoria’s Secret history.

In the late 1990s, she became one of the brand’s original Angels, helping establish the runway identity that would eventually become famous around the world.

Mulder has said she proposed the idea of incorporating angel wings into the show after being inspired by the television series Charlie’s Angels.

Her career later moved away from the spotlight, and she spent many years living a quieter life outside mainstream fashion.

Earlier this year, however, she signaled her intention to return.

In August, she appeared on the cover of Vogue Germany, marking an important moment in her comeback.

Now, her Victoria’s Secret appearance has brought that return to an even bigger stage.

And it arrives during a period when the fashion industry is increasingly celebrating established models alongside newer faces.

For Mulder, stepping onto the runway again wasn’t about recreating her 1990s career exactly as it was.

It was about returning on her own terms.

And perhaps that’s what made the moment stand out.

While fashion is constantly searching for the next big name, one of its original icons reminded everyone that a career doesn’t necessarily have an expiration date.

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Others create a sound so distinctive that you can recognize their influence even when their name isn’t attached to the track.

Kaytranada belongs to the second category.

The Haitian-born, Montreal-raised DJ and producer is set to receive the Visionary Award at Billboard Canada’s 2026 40 Under 40 ceremony, taking place in Toronto on November 20.

The award recognizes individuals whose creativity and influence have helped reshape the music industry.

And Kaytranada’s career makes a strong case for that recognition.

Before becoming an internationally celebrated producer, he was building a following through remixes, DJ sets and a style that blended house, hip-hop, funk and R&B.

His remix of Janet Jackson’s If helped introduce his sound to a wider audience, while his 2013 Boiler Room performance became a defining moment in his career.

Then came 99.9%, his critically acclaimed debut album, followed by Bubba, which won the Grammy for Best Dance/Electronic Album in 2021.

Over the years, Kaytranada has collaborated with artists including Kali Uchis, Anderson .Paak and other major names across the music industry.

His influence has also extended beyond studio recordings.

From festival stages to arena performances, his DJ sets have helped introduce electronic music to audiences who might otherwise associate the genre with an entirely different sound.

In 2025, he joined The Weeknd’s After Hours Til Dawn tour for performances in Canada.

What makes Kaytranada particularly interesting is that his music rarely stays inside one genre.

His productions combine rhythms and influences in ways that feel familiar but still sound unmistakably his.

And now, Billboard Canada is recognizing the cultural influence behind those records.

For someone who began by uploading remixes online, that’s a pretty remarkable journey.

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Now, she’s opening up about a habit she wishes she’d never started.

In a video shared through her Instagram Stories on October 18, the singer, actor and Rare Beauty founder spoke about her experience with nicotine vaping.

And according to Selena, the consequences have affected something particularly important to her career: her voice.

The 34-year-old explained that she used to vape heavily and believes the habit caused lasting changes to the way she sounds.

She also described nicotine as difficult to quit, acknowledging that giving up the habit has been a challenging process.

Selena said she’s happy to have stopped and hopes she can continue staying away from vaping.

Her comments arrive at a time when electronic cigarettes remain popular among younger audiences, partly because of their flavors, appearance and widespread presence on social media.

But while vaping is sometimes presented as a less harmful alternative to smoking, nicotine remains highly addictive.

And inhaling substances from electronic cigarettes can expose users to health risks.

For Selena, the issue is personal.

As someone whose career includes singing, acting and public appearances, her voice is a central part of her professional identity.

She has previously addressed questions about changes in her vocal tone, although those earlier comments did not establish vaping as the cause.

Her latest statement reflects her own experience and belief about what happened.

It should not be treated as a medical diagnosis confirming the exact reason for her voice changes.

Still, Selena’s decision to discuss nicotine addiction publicly may encourage others to reconsider a habit that can be difficult to stop.

And that’s what makes the story more important than another celebrity confession.

Sometimes, the consequences of a habit become clearer only after someone tries to leave it behind.

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What nobody expected was Kylie Jenner wearing it.

On October 18, the beauty entrepreneur made her Victoria’s Secret Fashion Show runway debut in Los Angeles, stepping onto the catwalk in one of the most expensive creations the brand has ever presented.

And expensive might be an understatement.

The Fantasy Bra, created in collaboration with luxury jeweler Jacob & Co., is valued at approximately $50 million.

The design features 4,410 natural diamonds, including an enormous 75.54-carat yellow diamond at its center.

Yes, that’s one bra.

Kylie completed the look with a delicate sheer skirt, transparent heels and white feathered wings, embracing the traditional Victoria’s Secret Angel aesthetic.

And she had some familiar faces supporting her.

Her mother, Kris Jenner, and boyfriend, Timothée Chalamet, were among those watching from the front row.

The appearance also marked an important moment for the brand.

The Fantasy Bra had been absent from the Victoria’s Secret runway since 2018, ending a tradition that once defined some of the show’s most memorable moments.

Over the years, legendary models including Tyra Banks, Heidi Klum and Gisele Bündchen have worn versions of the elaborate creation.

But this year’s edition takes extravagance to another level.

According to Jacob & Co., the design required extensive craftsmanship to incorporate thousands of diamonds into a garment that could actually be worn on the runway.

For Victoria’s Secret, bringing back the Fantasy Bra connects the show’s past with its current celebrity-driven identity.

For Kylie, it adds another major fashion moment to a career that already includes beauty entrepreneurship, international campaigns and countless magazine covers.

And for everyone watching online, it raises one very reasonable question.

How do you walk confidently when your outfit costs more than most people’s entire neighborhoods?

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For Miley Cyrus, she was family.

During an emotional performance at the Hollywood Bowl in Los Angeles, Miley paid tribute to her late godmother, sharing personal memories before performing one of Dolly’s most recognizable songs, Jolene.

The moment took place on October 16, during one of Miley’s first major concerts in several years.

As she addressed the audience, the singer became visibly emotional while remembering the woman who had influenced her life long before she became an international pop star.

Miley recalled the only time she had ever watched Dolly perform live.

It happened at the very same venue, the Hollywood Bowl.

Dolly had invited Miley to join her onstage, but Miley chose to remain in the audience because she wanted to experience the performance as a fan.

That memory has taken on a different meaning since Dolly’s death in August 2026 at the age of 80.

Speaking to the crowd, Miley reflected on how she continues to feel connected to her godmother despite her absence.

Their relationship extended far beyond their family connection.

Dolly appeared in Hannah Montana as Aunt Dolly, introducing her to a generation of younger viewers who may not have grown up listening to country music.

Over the years, the two also shared the stage for several memorable performances.

For Miley, Dolly represented both a personal role model and an important musical influence.

And that made Friday’s tribute especially moving.

What could have been another concert performance became a moment of remembrance, celebrating a relationship that connected two generations of music.

Sometimes, the most powerful part of a concert isn’t the choreography, production or stage design.

It’s the moment when an artist allows the audience to see the person behind the performance.

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And now, Hollywood is bringing one of the most complicated and heartbreaking celebrity stories of the 2000s back to the screen.

The first trailer for Hurricanna has been released, offering a look at the upcoming drama exploring the final days of the American model and television personality.

Dutch actress Sylvia Hoeks takes on the role of Smith, while Mark Duplass portrays her longtime companion and lawyer Howard K. Stern. Holly Hunter also stars as her therapist.

Directed by Francesca Gregorini, the film focuses on the emotional and personal struggles surrounding the final chapter of Smith’s life.

For those unfamiliar with her story, Anna Nicole Smith rose to fame in the 1990s through modeling, eventually becoming a Playboy Playmate and the face of major fashion campaigns.

Her marriage to billionaire J. Howard Marshall brought even more public attention, followed by years of legal disputes and intense tabloid coverage.

Later, her reality series The Anna Nicole Show made her one of the defining personalities of early 2000s celebrity television.

But behind the cameras, her personal life was marked by devastating losses.

In 2006, her son Daniel died at 20. Only months later, in February 2007, Smith died from an accidental drug overdose at the age of 39.

The upcoming film revisits that difficult period, examining the relationships and circumstances surrounding her final days.

Hurricanna is scheduled for a theatrical release on January 8, 2027.

And while today’s audiences may know her mostly through old photographs and internet references, her story raises questions that remain familiar.

What happens when someone’s entire life becomes public entertainment?

And how much of the person behind the celebrity do we ever really see?

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But behind the scenes, one of the people responsible for shaping the streaming giant’s entertainment strategy is leaving.

Bela Bajaria, Netflix’s chief content officer, is departing the company after nearly a decade.

The announcement, made on October 15, comes only a day after Netflix confirmed plans to cut more than 1,000 jobs, making this a particularly significant week for the streaming platform.

Bajaria joined Netflix in 2016 and gradually became one of the most influential executives in the entertainment industry.

During her time at the company, Netflix expanded its international productions, increased its investment in original programming and introduced new forms of entertainment beyond traditional series and films.

That includes reality television, live events and sports programming.

In 2023, Bajaria was appointed chief content officer, placing her in charge of Netflix’s global entertainment lineup.

Now, former Disney executive Peter Rice is preparing to take over the position on October 26.

Rice previously held senior leadership roles at 20th Century Fox and Disney, overseeing major film and television operations.

Netflix says he will be responsible for its global content strategy, including scripted series, reality programming, films and live events.

The leadership change arrives as streaming platforms face growing pressure to attract viewers, manage costs and compete with increasingly fragmented entertainment habits.

For audiences, the most important question is what this means for the shows they love.

A new executive doesn’t automatically mean a completely different Netflix, but decisions made at this level can influence which projects receive funding, which productions are prioritized and what types of entertainment the platform pursues.

So while subscribers might not recognize Bajaria’s name, they have almost certainly watched something influenced by the entertainment strategy she helped build.

Netflix’s next chapter is beginning behind the camera.

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Because the brand is bringing back its legendary Fantasy Bra, and this time, the centerpiece alone is worth approximately $22 million.

Yes, for one diamond.

After an eight-year absence, the famous runway creation is returning for the 2026 Victoria’s Secret Fashion Show, scheduled for October 18.

The announcement was revealed on October 15, with the brand offering a behind-the-scenes look at the creation of the extravagant piece.

For this year’s edition, Victoria’s Secret partnered with luxury jeweler Jacob & Co., known for producing some of the world’s most elaborate watches and jewelry.

The design features a massive Angel-cut diamond at its center, surrounded by additional precious stones arranged across the garment.

The goal is to create something that moves naturally with the model while maintaining the appearance of an elaborate jewelry piece.

And although the central diamond has been valued at $22 million, the official total value of the completed Fantasy Bra has not yet been announced.

For anyone who didn’t grow up watching the Victoria’s Secret Fashion Show, the Fantasy Bra was once one of its most anticipated moments.

Introduced in 1996 with Claudia Schiffer, it became a runway tradition worn by models including Tyra Banks, Gisele Bündchen, Adriana Lima and Alessandra Ambrosio.

One of the most famous examples was the $15 million Red Hot Fantasy Bra worn by Bündchen in 2000.

The tradition disappeared after 2018, making this year’s return particularly nostalgic for longtime fashion fans.

Victoria’s Secret has also decided to keep one detail secret: which model will wear the new design.

That reveal is being saved for the runway on October 18.

And in a fashion industry where luxury prices regularly make headlines, a $22 million diamond might still be difficult to compete with.

Imagine having to insure your outfit before walking down the runway.

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L’établissement dispose également d’une cave réunissant des vins marocains et internationaux.

Il s’agit du premier projet au Maroc du chef Amine Laabi. Sa carte fait une place aux cuissons au feu et au travail du produit. Le choix des vins a été élaboré avec Mikaël Rodriguez, président de l’Association des sommeliers du Maroc, afin d’accompagner les différents plats.

Une carte tournée vers le partage

Le restaurant adopte le concept de Social Kitchen, avec des plats destinés à être partagés autour de la table. La carte comprend des petites assiettes, des entrées, des grillades et des pièces de viande.

Le four Josper est utilisé pour réaliser les cuissons à la braise et apporter aux préparations des notes fumées, précise le chef Amine Laabi. La carte s’inspire des saveurs méditerranéennes, avec des recettes qui associent produits familiers et interprétations personnelles.

« Braise, c’est une cuisine autour du feu, authentique, simple et pleine de caractère. J’ai voulu retrouver des saveurs méditerranéennes que l’on connaît tous, avec une lecture plus personnelle, tout en gardant cette idée essentielle de partage et de convivialité qui fait aussi écho à la culture marocaine », explique le chef Amine Laabi.

Une cave de vins marocains et internationaux

Le vin constitue un autre volet de l’offre de Braise. La cave rassemble des références marocaines et internationales, entre domaines moins connus et appellations classiques.

Conçue avec Mikaël Rodriguez, la sélection vise à proposer différents accords avec les plats, l’équipe accompagnant les clients selon leurs préférences.

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They’ve all become part of the colorful visual universe of Moroccan British artist Hassan Hajjaj.

And now, that universe is getting another international spotlight.

Hajjaj’s My London Rockstars is being featured at the 1-54 Contemporary African Art Fair, taking place at Somerset House in London from October 15 to 18.

The project brings together portraits of musicians, designers, artists and other creative figures who have helped shape London’s contemporary cultural identity.

But these aren’t conventional celebrity photographs.

Hajjaj’s work is instantly recognizable for its colorful patterns, playful compositions and frames built using everyday consumer products.

His visual language combines Moroccan references with British street culture, drawing inspiration from fashion, music, pop art and the communities that shaped his life.

Born in Morocco and raised in London, Hajjaj has spent decades exploring what happens when different cultures meet.

In his photographs, traditional Moroccan textiles can appear alongside contemporary streetwear, while familiar commercial objects become part of the artwork itself.

The result feels somewhere between a fashion campaign, a music portrait and an art installation.

For Hajjaj, the term rockstar isn’t limited to musicians. It also describes the creative people whose work influences the culture around them.

And although Central Cee might be one of the most recognizable faces in the collection, the project is really about the wider community behind London’s creative energy.

It’s also another reminder that Moroccan artistic influence extends well beyond Morocco’s borders.

From familiar fabrics and colors to contemporary interpretations of traditional aesthetics, Hajjaj continues to show how Moroccan visual culture can exist naturally within international fashion, music and art.

And putting Central Cee inside that universe feels like a particularly fitting crossover.

The post CENTRAL CEE got the Moroccan pop art treatment appeared first on La Nouvelle Tribune.

Cette nouvelle offre complète les rendez-vous lunch et afterwork organisés en semaine.

Le brunch comprend différentes propositions culinaires et se déroule dans un cadre en hauteur, avec une vue sur les principaux monuments de Casablanca. Il s’adresse aux personnes souhaitant partager un repas en famille ou entre amis durant le week-end.

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Marion Cotillard has been named president of the jury for the 23rd Marrakech International Film Festival, which runs from November 20 to 28.

That means Cotillard will lead the group deciding which film takes home the festival’s top prize, the Étoile d’Or.

And honestly, the casting makes sense.

Cotillard has spent years moving between French cinema and major international productions, picking up an Oscar, working with some of the biggest directors in the industry and becoming one of the most recognizable French actors globally.

Now she is coming to Marrakech in a completely different role.

Not as a guest. Not as someone walking the red carpet. As the person leading the jury.

That changes the energy a little.

The Marrakech International Film Festival has always had a strong mix of big names and emerging filmmakers, and putting Cotillard at the head of the jury gives this year’s edition even more international weight.

For younger Moroccan film fans, it is also one of those moments where global cinema suddenly feels very close to home.

Instead of watching these actors and filmmakers from another country, they are literally coming to Marrakech to watch, debate and reward new work.

And that is what makes the festival interesting beyond celebrity photos.

It is also a place where new filmmakers can get noticed.

Where smaller films can suddenly get global attention.

And where Morocco becomes part of the international film conversation for more than a week.

This year, Marion Cotillard is helping decide what gets remembered.

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The Biennale Euro-Africa is taking over Anfa Park from October 15 to 18, and the programme is basically a mix of everything Gen Z actually cares about.

Music. Skating. Manga. Outdoor cinema. Art.

And the best part?

A big part of the programme is free.

The opening day brings a Noss/Noss concert featuring Collectif +212, while October 16 leans more into comics, manga and electronic music with sets from 4S’ and Piñata Radio.

Then the weekend gets even busier.

October 17 includes a skate jam bringing together Moroccan and Ghanaian crews, plus music from Glitter55, Atay Synth and Retro Cassetta.

And on October 18, the event closes with a block party mixing skateboarding and breakdance.

So basically, Anfa Park is turning into one big culture playground.

What makes this worth covering is that it does not feel like another formal festival where people show up, sit down and leave.

It is built around moving between things.

Watch a skate session.

Catch a DJ set.

Walk through an art installation.

End up at an outdoor screening.

That is much more how younger audiences actually consume culture now.

And for Casablanca, a city where people are always asking “what are we doing this weekend?”, this is an easy answer.

Four days. Multiple scenes. One park.

No need to invent plans this time.

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The platform has secured the rights to stream all 104 matches of the 2030 FIFA World Cup in Spain and Andorra.

And yes, that sounds huge.

Especially because Morocco is one of the three main host countries for the tournament, alongside Spain and Portugal.

But here is the important part: The Netflix deal does not currently cover Morocco.

So if you are already imagining watching Morocco play a World Cup match on Netflix from your sofa in Casablanca, slow down.

That has not been announced.

For now, the rights only apply to viewers in Spain and Andorra.

Still, the deal is a pretty big sign of where sports broadcasting is going.

For years, football lived mostly on traditional TV networks and dedicated sports channels.

Now streaming platforms are moving in.

And when Netflix starts carrying one of the biggest sporting events on Earth, that changes the conversation.

For Moroccan viewers, the real question is now obvious:

Who will actually have the rights here?

That part is still open.

And with Morocco hosting matches in 2030, it is going to matter a lot.

Because the World Cup is not only a sports event here.

It is going to be part of daily life.

The matches. ,The stadiums. The crowds. The tourism. The whole country is going to feel it.

So yes, Netflix got the World Cup.

Just not for Morocco.

At least not yet.

The post Netflix is streaming the 2030 World Cup. But there’s a catch appeared first on La Nouvelle Tribune.

Now imagine going back to audition.

And getting rejected.

That is exactly what happened to Romee Strijd, who revealed that she was not selected for the brand’s upcoming fashion show.

Strijd has walked major Victoria’s Secret runways before and was officially part of the Angel lineup for years.

So understandably, fans were surprised when she shared that she had travelled to New York for casting, spent months preparing and then found out she was not making the final lineup.

The part she seemed most frustrated by was not even the rejection itself.

It was the communication.

According to Strijd, she waited for weeks without getting a clear answer.

And that is what turned a normal casting decision into a much bigger online conversation.

Because rejection is part of modelling.

Even huge models get rejected.

But when someone who was once one of the faces of the brand is left waiting around for an answer, people start asking different questions.

How much does status actually matter in fashion?

Does being famous guarantee anything?

And how brutal is the industry even when you have already “made it”?

The whole thing is also another reminder that fashion has a very short memory.

One year you are the face of the brand.

Another year, you are back in a casting room trying to convince them again.

And honestly, that might be the most fashion-industry thing ever.

Romee Strijd did not get the wings this time.

The internet definitely noticed.

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Une nouvelle adresse consacrée à la cuisine française traditionnelle s’installe à Marrakech. Baptisé Le Bouillon Guéliz, cet établissement, dont l’ouverture était annoncée pour début octobre 2026, reprend le concept des bouillons parisiens, des restaurants populaires apparus au XIXe siècle et caractérisés par une cuisine traditionnelle proposée à des prix relativement accessibles.

L’enseigne entend transposer ce modèle dans la ville ocre, en privilégiant une carte composée de spécialités françaises, un service rapide et une politique tarifaire destinée à encourager une fréquentation régulière.

Le projet s’inspire notamment d’établissements historiques tels que le Bouillon Chartier et le Bouillon Julien, deux références de la restauration parisienne.

Le modèle des bouillons trouve ses origines dans le Paris du XIXe siècle, notamment dans le quartier des Halles, où ces établissements se sont développés autour d’une offre de restauration simple et accessible.

Le principe repose sur une cuisine traditionnelle, un service organisé pour accueillir un nombre important de clients et des prix généralement inférieurs à ceux de la restauration classique.

Parmi les établissements les plus connus figure le Bouillon Chartier, ouvert en 1896, qui poursuit aujourd’hui son activité à Paris.

C’est de cette tradition que s’inspire Le Bouillon Guéliz, qui souhaite proposer à Marrakech une formule associant les codes des bistrots français à une restauration de proximité.

L’établissement met notamment en avant la préparation des plats sur place, à partir de produits frais et de saison.

L’offre culinaire du Bouillon Guéliz repose sur plusieurs spécialités traditionnelles françaises.

La carte annoncée comprend notamment des œufs mimosa, des escargots de Bourgogne, de la choucroute, du bœuf bourguignon et de l’entrecôte au beurre maître d’hôtel.

Ces plats constituent des références de la cuisine de bistrot et correspondent au positionnement revendiqué par l’établissement.

Le restaurant indique privilégier une cuisine préparée sur place, avec des ingrédients frais et de saison.

La carte des boissons comprend également une sélection de vins marocains et français, proposés au verre, en pichet ou à la bouteille.

À travers cette offre, Le Bouillon Guéliz entend reprendre les principales caractéristiques du modèle parisien, en mettant l’accent sur des recettes traditionnelles plutôt que sur une cuisine gastronomique contemporaine.

Le positionnement tarifaire constitue l’un des principaux éléments de différenciation mis en avant par l’enseigne.

Selon les informations communiquées par l’établissement, les entrées sont proposées autour de 50 dirhams, tandis que les plats principaux se situent dans une fourchette de 100 à 150 dirhams.

Le restaurant précise que ces tarifs correspondent à sa carte habituelle et ne constituent pas une offre promotionnelle limitée à la période d’ouverture.

LNT

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Giorgio Armani and Kith brought their Dreams of the Dune presentation to the Agafay Desert near Marrakech, turning the landscape into a full runway set.

And visually, it was exactly as dramatic as it sounds.

Instead of a traditional fashion-week venue, the collection was presented against open desert, warm tones and huge empty space, making the location feel like part of the clothes rather than just a backdrop.

The collaboration mixes Armani’s polished tailoring with Kith’s streetwear influence, so the collection lands somewhere between classic luxury and something much more relaxed.

Think soft tailoring, neutral tones, layered silhouettes and pieces designed to feel expensive without looking too formal.

And Morocco is not only part of the show.

The campaign itself was also photographed in Marrakech, giving the whole collaboration a stronger local connection than the usual “brand flies in, takes photos, leaves” formula.

That is probably why this one feels more interesting than another celebrity-heavy runway.

The setting actually changes the mood of the collection.

Agafay’s textures, light and emptiness make everything feel cinematic.

It also continues a bigger trend of international fashion houses using Morocco as a visual reference point, whether through campaign shoots, desert locations or traditional craftsmanship.

This time, though, Morocco was not a little detail in the background.

It was the entire stage. The collection launches globally on October 16.

But honestly, the Agafay runway already did most of the work.

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And the casting is doing a lot of the heavy lifting already.

Michael B. Jordan and Austin Butler are leading the new film Miami Vice ’85, bringing the iconic crime world back with even more 1980s style, neon, speedboats and extremely expensive-looking sunglasses.

Jordan plays Ricardo Tubbs, while Butler takes on Sonny Crockett.

The film is being directed by Joseph Kosinski, the same filmmaker behind Top Gun: Maverick and F1, which basically tells you what kind of energy to expect.

Big visuals. Fast machines.

People looking cool while something very dangerous happens nearby.

The first images from filming have now been released, and they are leaning hard into the decade.

Sharp tailoring. Pastel tones. Classic Miami styling.

It looks expensive in exactly the way Miami Vice is supposed to.

For anyone who did not grow up with the original series, the franchise follows undercover detectives moving through Miami’s drug world while somehow maintaining incredible wardrobes.

Very realistic police work.

The new film is set in 1985, so instead of modernizing everything completely, it is going directly back into the era that made the original show iconic.

That is probably the smartest move.

Miami Vice was never only about crime.

It was also about music, clothes, cars and atmosphere.

Michael B. Jordan and Austin Butler already understand the assignment visually.

Now we just need the movie to match the photos.

The film is currently scheduled for May 2028.

So yes, the wait is ridiculous.

At least the outfits have arrived early.

The post Michael B. Jordan and Austin Butler are bringing Miami Vice back appeared first on La Nouvelle Tribune.

Selena Gomez’s Rare Beauty and Shay Mitchell’s travel brand BÉIS have teamed up again, launching a new collection built around one very specific colour:

Bright raspberry pink.

The collaboration combines travel accessories with beauty products, creating the kind of coordinated airport aesthetic that looks designed specifically for someone’s “pack with me” TikTok.

The collection includes luggage, cosmetic bags and other travel pieces alongside a Rare Beauty cheek and lip set.

Basically, your makeup can now match the bag it is travelling inside.

Necessary? Debatable.

Cute? Unfortunately, yes.

This is the second collaboration between the two brands, and it makes sense.

Rare Beauty already has a huge Gen Z audience, while BÉIS has basically built its whole identity around making luggage feel like a lifestyle product instead of something you drag through an airport while stressed.

Put them together and suddenly your carry-on becomes part of the outfit.

That is also why the collection works beyond normal celebrity merch.

It is visually very consistent.

Everything looks like it belongs together.

And in the age of travel content, that matters. Airports have somehow become fashion sets.

People plan outfits for flights. Suitcases appear in mirror selfies. Packing videos get millions of views.

So yes, luggage is officially part of the aesthetic now.

Selena and Shay clearly know it.

The only remaining question is whether you are actually brave enough to check a bright pink suitcase at baggage claim.

Good luck pretending you do not see it coming from 30 metres away.

The post Selena Gomez and Shay Mitchell made matching luggage and makeup appeared first on La Nouvelle Tribune.

Yes, Kingdom Hearts is back.

Kingdom Hearts Collection I–III has now arrived on newer consoles, bringing together major games from the long-running Disney and Square Enix franchise in one package.

That means players can once again jump between worlds inspired by Disney films, fight alongside characters like Donald and Goofy and slowly become emotionally invested in people with names like Roxas, Xion and Ventus.

Good luck explaining any of that to someone who has never played.

The collection includes key entries from the series, including Kingdom Hearts III and its Re Mind expansion, giving newer players a much easier way to catch up before the franchise moves into its next chapter.

For longtime fans, this is obviously nostalgia bait.

But very effective nostalgia bait.

Kingdom Hearts has existed for more than two decades now, meaning a lot of players who first discovered Sora as kids can now replay those games on current hardware.

And for anyone entering for the first time, prepare yourself.

It starts simple. Boy with giant key. Disney worlds. Cute characters.

Then suddenly someone is talking about hearts, darkness, replicas, time travel and twelve versions of the same person.

Still, that chaos is basically part of the charm.

Three eras of Kingdom Hearts are now much easier to access.

So if you have ever wanted to understand the story, this is your chance.

We are not promising you actually will.a

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Avatar: Seven Havens premieres today, bringing fans back into the world of bending with a completely new Avatar, a new era and a very different problem.

The story follows Pavi, a young Earthbender who discovers that she is the Avatar after Korra.

Normally, that would make her one of the most important people in the world.

Except this time, being the Avatar is not exactly a flex.

In Seven Havens, the world has changed so much that the Avatar is feared as a potential destroyer rather than automatically celebrated as a hero.

Which is honestly a pretty strong way to restart the story.

The original Avatar: The Last Airbender was built around the idea that the Avatar was needed to restore balance.

Now the new series is asking what happens when people no longer trust that role at all.

The show comes from original creators Michael Dante DiMartino and Bryan Konietzko, which should immediately calm at least some nervous longtime fans.

The first three episodes premiere today on Paramount+, although availability depends on the country.

For younger viewers, this is a new entry point.

For older fans, it is the first chance in a while to properly move beyond Aang and Korra into the next generation.

Different Avatar. Different world. Same pressure to somehow save everyone.

No big deal.

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