Now, those plans appear to have been abandoned.

According to a report from GM Authority, citing internal company sources, General Motors has reportedly shelved its plans to transform Corvette into a wider performance brand.

The proposed expansion included an all-electric SUV, a two-door electric sports car and potentially a four-door fastback sedan. Instead of remaining a single sports car family, Corvette could have become a full lineup of high-performance vehicles.

The strategy would have followed a path similar to Porsche, which expanded beyond its iconic 911 sports car into SUVs and sedans.

And there’s a business reason behind that approach. Popular SUVs can generate significant sales and help finance the development of more specialized sports cars.

But the automotive industry has changed since the Corvette expansion rumors first emerged in 2022.

Electric vehicle demand in the United States has become more unpredictable, while Corvette’s existing sports cars continue attracting buyers.

Those factors may have influenced GM’s reported decision, although the company has not officially confirmed the cancellation or explained its reasoning.

For now, Chevrolet appears focused on its existing C8 Corvette lineup and the eventual introduction of its next-generation C9 model.

The idea of a fully electric Corvette hasn’t necessarily disappeared forever, either. Company engineers have previously described electrification as part of the sports car’s long-term future.

But a Corvette SUV competing with the Porsche Cayenne? That possibility is looking increasingly unlikely.

And for fans who believe a Corvette should remain a sports car, the news raises an interesting question: does every performance brand really need an SUV?

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It’s on who’s getting the call.

Morocco’s national team coach Mohamed Ouahbi is scheduled to announce his squad today, November 4, during a press conference at the Mohammed VI Football Complex.

The announcement, set for 11 AM Morocco time, will reveal the players selected for the Atlas Lions’ upcoming international training camp, which begins on November 9.

The squad is preparing for two matches against Niger in the qualification campaign for the 2027 Africa Cup of Nations.

The first game will take place on November 13 at Casablanca’s Mohammed V Complex, followed by a second meeting on November 17 at the Prince Moulay Abdellah Stadium in Rabat.

While the fixtures are already confirmed, the biggest question is which players Ouahbi will trust for the upcoming matches.

National team selections are always a major talking point among Moroccan football supporters. Established stars, players returning from injury and footballers performing well for their clubs all become part of the conversation.

And with several Moroccan players attracting attention across European leagues, supporters will be watching closely for any surprises.

But until the official list is published, potential selections remain speculation.

For Morocco, these matches are another opportunity to build momentum in the qualification campaign and continue developing the team’s identity under Ouahbi.

The squad announcement is expected to generate plenty of discussion, particularly around which players have earned their places and who might have been left out.

For now, all eyes are on today’s press conference.

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That’s the question at the centre of L’Héritier des secrets, the new Moroccan-Canadian drama directed by Mohamed Nadif, which arrives in Moroccan cinemas today.

The film follows Farid, a man who lost his father when he was only four years old.

Growing up without him has left questions that never completely disappeared. Years later, Farid begins searching for answers about his father’s absence, confronting family memories, hidden truths and the complicated relationships that shaped his childhood.

Adapted from a novel by Moroccan writer Fatiha Morchid, the film explores themes of identity, belonging and the consequences of keeping secrets within a family.

Actor Younes Bouab leads the cast, alongside Mounia Zahzam, Nisrin Erradi, Mehdi Bahmad and Nadia Kounda.

Rather than approaching family relationships through a conventional love story or comedy, L’Héritier des secrets focuses on the emotional weight of unanswered questions.

Farid’s search becomes more than an investigation into his father’s disappearance. It is also an attempt to understand his own identity and the choices made by people close to him.

The Moroccan-Canadian production runs for approximately 109 minutes and features dialogue in French and Moroccan Arabic.

The film arrives at a time when Moroccan filmmakers continue exploring family dynamics, generational relationships and personal identity through contemporary cinema.

For audiences, its central themes may feel familiar. Most families have stories that are retold over the years, and sometimes the things left unsaid can become as important as the things people remember.

With L’Héritier des secrets, those silences become the starting point for a story about a son trying to understand his past.

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Achraf Hakimi, Nayef Aguerd and Yassine Gessime were selected in Sofascore’s best XI for Matchday 9, following standout performances for their respective clubs.

But the biggest story belongs to Hakimi.

The Paris Saint-Germain defender delivered one of the most remarkable attacking performances of his career in PSG’s 5–1 victory over Le Havre, scoring his first professional hat-trick and providing two assists.

Yes, a defender was directly involved in all five goals.

Hakimi’s performance earned him a perfect 10/10 rating, highlighting the attacking influence that has made him one of the most recognizable Moroccan players in European football.

And he wasn’t the only Moroccan earning top marks.

At Strasbourg, Yassine Gessime also received a 10/10 rating after scoring twice and assisting another goal in his team’s 5–1 win against Auxerre.

Meanwhile, Nayef Aguerd earned an 8/10 for his defensive performance in Marseille’s 2–0 victory over Toulouse.

While Hakimi and Aguerd are already established names in the Moroccan national team conversation, Gessime’s performances are giving supporters another player to follow.

The recognition also comes at an interesting time, with Morocco preparing to announce its squad for the upcoming Africa Cup of Nations qualifiers.

Of course, club performances don’t automatically guarantee national team selections, but they certainly give supporters something to discuss.

Three Moroccan players in one Ligue 1 Team of the Week is already impressive. Two of them receiving perfect ratings makes the achievement even more notable.

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Except some of those words might not be what they actually said.

That is the possibility raised by a newly published Microsoft patent application describing artificial intelligence capable of modifying speech and facial movements in near real time.

The proposed system would analyze audio and video, identify words that could be changed, and generate replacement speech. It would then adjust the speaker’s mouth and surrounding facial movements to make the new words appear natural.

The technology could have practical uses.

For example, imagine attending an online lecture in English but watching the speaker appear to communicate fluently in French or Arabic, with their lip movements matching the translated speech.

It could also remove verbal mistakes, filler words and awkward pauses from live presentations.

But there’s another side to the technology.

If AI can make someone appear to say words they never actually spoke, how will audiences know whether a video is authentic?

Deepfakes have already raised concerns about misinformation, impersonation and manipulated online content. Technology that could make alterations during broadcasts would introduce another challenge.

Microsoft’s application, published on October 29, describes how such a system might work, but it is not an announced product.

There is no confirmation that Microsoft has developed or deployed a working commercial version, and patent applications do not guarantee that a technology will reach the market.

Still, the concept highlights an increasingly important question about digital media.

For years, video recordings have been treated as strong evidence of what someone said or did. As AI editing becomes more sophisticated, that assumption may become harder to maintain.

The technology could make communication more accessible. It could also make verifying what is real more important than ever.

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California-based company Varda Space Industries is conducting experiments in orbit to investigate how the absence of normal gravity affects pharmaceutical manufacturing.

One of its current missions involves studying how crystals form in a potential cancer treatment.

Why crystals?

Many medicines depend on how their active ingredients dissolve and are absorbed by the body. The structure of a drug’s crystals can influence how consistently and effectively it works.

On Earth, gravity affects how particles move and settle during production. In space, microgravity creates a different environment that could allow some pharmaceutical materials to form more uniform crystals.

Varda’s W-7 mission, launched on October 20, is studying a class of experimental medicines called PROTACs. These molecules are designed to help the body break down specific proteins associated with diseases, including certain cancers.

Some PROTAC compounds are difficult to formulate into medicines because of their physical properties. Researchers hope that experiments in orbit could help address those challenges.

Varda operates compact manufacturing laboratories inside spacecraft, which are designed to return their experimental materials to Earth for analysis.

Other companies, including Britain’s BioOrbit, are also exploring whether space manufacturing could improve pharmaceutical production.

But there is an important reality check.

Scientists have not established that cancer medicines manufactured in space are better treatments, and these experiments are not evidence of a new cancer cure.

Sending equipment into orbit is expensive, and companies must still demonstrate that the results are reliable, commercially viable and medically useful.

For now, the research represents an unusual new direction for pharmaceutical development.

And it raises a fascinating possibility: in the future, some medicines used by patients on Earth might begin their manufacturing journey hundreds of kilometres above it.

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Sony Pictures has officially joined Lionsgate to co-finance and distribute the upcoming adaptation of Masashi Kishimoto’s globally popular manga and anime franchise.

The film will be written and directed by Destin Daniel Cretton, the filmmaker behind Marvel’s Shang-Chi and the Legend of the Ten Rings.

Under the new arrangement, Sony will handle international distribution, while Lionsgate continues overseeing the film’s development, production and domestic release.

And there is finally a production window.

According to the announcement reported on November 3, filming is expected to begin in spring 2027.

For Naruto fans, this represents meaningful progress on a project that has spent years in development.

The original story follows Naruto Uzumaki, a young ninja who grows up facing rejection from his village but dreams of becoming Hokage, its most respected leader.

Since its manga debut in 1999, Naruto has become one of the most recognizable franchises in Japanese entertainment, inspiring anime adaptations, films, video games and an enormous international fan community.

But bringing that world into live action comes with a significant challenge.

From its supernatural fighting techniques and unusual character designs to the emotional relationships that make the story memorable, Naruto has a visual identity that fans know extremely well.

Hollywood’s relationship with anime adaptations has also been complicated, although productions such as Netflix’s One Piece have demonstrated that successful adaptations are possible.

For now, the cast, official release date and detailed storyline remain unannounced.

Still, a new distribution partnership and a planned filming window suggest that Naruto’s journey from animation to live-action cinema is becoming more concrete.

The next major question is one fans will undoubtedly have opinions about: who should play Naruto?

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Grand Theft Auto VI is almost here, and the studio has officially confirmed that the game’s preload will require up to 212GB of available storage, depending on the console.

Yes, 212GB. Before you’ve even started exploring Vice City.

Rockstar confirmed the requirement in a November 3 announcement, alongside details about when players can begin downloading the highly anticipated game.

For PlayStation 5 users, digital preloading begins on November 10 at midnight local time. Xbox Series X|S players will also be able to start preloading on November 10, beginning at midnight GMT.

The game itself is scheduled to launch on November 19, 2026.

Preloading means players who have purchased the game digitally can download its files before release day, allowing them to begin playing once it officially becomes available.

With a download this large, having the necessary storage space ready in advance could make the launch considerably less stressful.

The upcoming game follows Jason and Lucia as they navigate the fictional state of Leonida, including a modern version of Vice City inspired by Miami.

Rockstar has promised an expansive world featuring beaches, cities, nightlife and a large cast of characters, with the story following the two protagonists through a criminal conspiracy.

The storage announcement also gives players another indication of the scale of the project, although file size alone doesn’t determine how large or detailed a game will feel.

For Moroccan gamers preparing for release day, there’s also the practical question of internet speeds and how long downloading such a large file could take.

Rockstar hasn’t said that every console installation will occupy exactly 212GB, so the figure shouldn’t be treated as a universal final installed size.

But one thing is clear: anyone planning to play GTA 6 at launch should probably check their storage before November 10.

Your console might need a little spring cleaning in November.

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The rapper and designer, now known as Ye, has announced Yeezy Season 01, a new runway show scheduled for November 4 in Los Angeles.

The presentation will take place at 8 PM local time inside Yeezy’s Droam 1 flagship store on Beverly Boulevard, marking the brand’s first major live runway event since 2022.

The name Season 01 suggests a new chapter for Yeezy, which has undergone significant changes over the past several years.

For much of the 2010s, Yeezy became one of the most recognizable names in contemporary streetwear, particularly through its partnership with Adidas.

Its sneakers, oversized silhouettes and minimalist designs influenced fashion trends far beyond the brand’s own collections.

But that partnership ended in 2022 after Ye made antisemitic statements, prompting Adidas and several other companies to cut ties with him.

Since then, Yeezy has continued operating independently while attempting to rebuild its fashion business.

Earlier this year, the brand began a gradual relaunch through its online store, offering basic clothing pieces and reintroducing its products directly to consumers.

Now, Season 01 marks a return to one of fashion’s most visible platforms: the runway.

Unlike the large-scale Yeezy presentations of previous years, this show will take place inside the brand’s own retail space, reflecting a more independent approach.

The collection itself has not yet been revealed, leaving questions about the designs, models and overall direction of the presentation.

For fashion followers, the event is notable because of Yeezy’s history of influencing streetwear, footwear and celebrity fashion.

At the same time, the return is taking place against the background of Ye’s past controversies, which remain inseparable from the brand’s recent history.

Whether the new collection introduces a different aesthetic or revisits familiar Yeezy designs will become clearer when the show takes place.

For now, Yeezy is returning to the runway, and the fashion industry will be watching what comes next.

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Fouzi Lekjaa a évalué entre 50 et 70 milliards de dirhams par an le coût d’un soutien généralisé et non ciblé, en estimant qu’un tel mécanisme profiterait d’abord aux catégories à fort pouvoir d’achat et aux gros consommateurs. Il ne permettrait pas d’atteindre la justice sociale et ne protégerait pas, en premier lieu, les couches visées, a-t-il déclaré, en appelant à un langage de vérité et en dénonçant la démagogie.

Le ministre a également relativisé la portée d’une suppression de la taxe intérieure de consommation, qui ne ferait baisser le prix à la pompe que d’environ 1,20 dirham par litre. Sur les marges des distributeurs, il a avancé un chiffre d’affaires sectoriel de 131 milliards de dirhams en 2025 pour une marge bénéficiaire d’environ 5,85%, inférieure au pic de 2017, en invitant à tenir compte des risques liés à l’importation et de la volatilité des cours de Rotterdam, qui impose de programmer les commandes jusqu’à trois mois à l’avance.

Trois priorités ont été annoncées, le parachèvement des conditions d’une concurrence libre, l’accroissement des capacités de stockage au titre de la sécurité énergétique et la séparation progressive des activités d’importation et de distribution.

Sur la raffinerie de Mohammedia, le ministre a estimé que le raffinage n’était plus un choix stratégique et ne garantissait pas nécessairement une baisse des prix locaux, en particulier au-delà de 100 dollars le baril. Il s’est déclaré favorable à tout partenariat public-privé ou investissement, marocain ou étranger, pour une remise en service, en jugeant que la valeur de l’installation réside aujourd’hui surtout dans ses infrastructures, utiles au stock stratégique.

La position intervient trois jours après la hausse du gasoil à la pompe, de 80 centimes à un dirham le litre, et une semaine après la demande d’intervention urgente adressée à la cheffe du gouvernement par la Chambre des pêches maritimes de la Méditerranée, qui sollicitait l’étude d’un plafonnement du prix du gasoil marin. Aucune mesure spécifique en faveur des transporteurs ou des pêcheurs n’a été annoncée devant la commission.

LNT

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Abdellatif Ouahbi a réaffirmé son soutien au maintien de l’âge légal à dix-huit ans et estimé que la priorité devait aller à la scolarisation des filles et à leur autonomie. Les dispositions précises seront présentées avec le projet.

Les articles 20 et 21 du code de la famille autorisent actuellement le juge à accorder une dispense. Le ministre a décrit un contournement récurrent, par la célébration de mariages coutumiers non enregistrés suivie d’une saisine de la justice pour faire reconnaître l’union, procédure qui permet selon lui d’échapper également aux restrictions encadrant la polygamie.

Parmi les pistes évoquées figurent la soumission des demandes à des expertises sociales et sanitaires et la prise en compte des déterminants économiques et géographiques, pauvreté et éloignement des établissements scolaires, en concertation avec les départements de l’Économie et des Finances et de la Solidarité sociale.

Le ministre a indiqué que les dernières données de l’autorité judiciaire font état d’un recul des mariages de mineures, sans communiquer de nombre d’autorisations, tout en soulignant la persistance du phénomène. Une députée a relevé que ces exceptions étaient devenues, dans certains cas, une pratique quasi ordinaire, et fait état d’une baisse de 17,02% des statistiques, sans en préciser la période de référence.

L’absence de chiffres publics consolidés sur les autorisations accordées constitue l’une des difficultés de ce dossier, les mariages non enregistrés échappant par construction au décompte judiciaire.

LNT

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Le seuil de la majorité est fixé à 218 sièges à la Chambre et à 51 au Sénat. Le dépouillement restait en cours dans plusieurs États, notamment au Michigan, dans le Maine, au Minnesota, en Alaska, au Mississippi, au Nebraska et au Nevada, la Californie pouvant ne publier ses résultats que dans plusieurs jours. Les chiffres cités demeurent donc provisoires.

Les démocrates ont gagné au moins six sièges de sénateur, en Caroline du Nord, en Caroline du Sud, au Texas, dans l’Ohio, au Kansas et dans l’Iowa. Hakeem Jeffries devrait prendre en janvier la présidence de la Chambre, à la place de Mike Johnson.

Plusieurs scrutins d’État marquent la soirée. Au Texas, la démocrate Gina Hinojosa a battu le gouverneur républicain sortant Greg Abbott, et James Talarico a remporté le siège de sénateur face à Ken Paxton. En Géorgie, Keisha Lance Bottoms a été élue gouverneure et Jon Ossoff réélu sénateur. Dans l’Ohio, Amy Acton a été élue gouverneure et Sherrod Brown sénateur. En Floride, la républicaine Ashley Moody a conservé son siège de sénatrice avec 50,8% des voix.

Les enquêtes réalisées à la sortie des urnes situent le motif du vote. Le coût de la vie a pesé dans le choix de neuf électeurs sur dix, près des deux tiers tenant la politique du président pour responsable de la hausse des prix, et environ quatre électeurs sur dix déclarant avoir voté pour s’opposer à lui. Plus de la moitié expriment par ailleurs une opinion défavorable du Parti démocrate, ce qui circonscrit la portée du résultat à un vote de sanction plutôt qu’à une adhésion.

Les conséquences institutionnelles sont immédiates. Les démocrates présideront les commissions de la Chambre, avec la capacité d’ouvrir des enquêtes et de convoquer des membres de l’administration, et disposeront du levier budgétaire. Au Sénat, ils pourront bloquer la confirmation de ministres, d’ambassadeurs et de juges fédéraux. Le président devrait recourir davantage au décret durant les deux dernières années de son mandat.

Ce scrutin intervient après une campagne où le chef de l’État a appelé ses électeurs à voter comme s’il figurait lui-même sur le bulletin et engagé plus de 400 millions de dollars de son fonds de campagne. Il s’était par ailleurs tenu à l’écart de toute décision sur les taux d’intérêt, la Réserve fédérale ayant reporté la sienne au-delà du scrutin, et avait reporté à l’après-élection l’éventualité de nouvelles frappes contre l’Iran.

LNT

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Le nombre annuel moyen de décès liés à la chaleur a progressé d’environ 36% par rapport à la décennie précédente. Les personnes âgées et celles souffrant de pathologies sous-jacentes constituent les populations les plus exposées. Le rapport ne publie pas de ventilation régionale.

Les auteurs demandent l’intégration de la santé dans les décisions climatiques, qu’il s’agisse de la réduction des émissions, du financement de l’adaptation ou de la résilience des systèmes de soins, et appellent à reconnaître officiellement le changement climatique comme une urgence sanitaire mondiale. Ils relèvent au titre des progrès le développement de plans nationaux d’adaptation du secteur de la santé et de systèmes d’alerte précoce, ainsi que 2 100 milliards de dollars d’investissements dans les énergies propres en 2025.

La publication précède d’une semaine l’ouverture de la trente et unième conférence des parties à la convention des Nations unies sur les changements climatiques, du 9 au 20 novembre à Antalya, dont les trois priorités affichées sont la finance, la mise en oeuvre et la transition juste. L’organisation sanitaire mondiale appelle à placer la santé au coeur des politiques climatiques à cette occasion.

Pour le Royaume, exposé à des vagues de chaleur de plus en plus fréquentes et à un stress hydrique structurel, ces travaux renvoient à deux dossiers budgétaires, le plan national de santé mentale et de prévention d’un côté, les financements d’adaptation de l’autre, dont l’accès constitue l’un des enjeux de la conférence d’Antalya.

LNT

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The collaboration, titled EVE Protocol, reimagines several Overwatch heroes through the characters and futuristic aesthetic of Stellar Blade, the action game developed by South Korean studio Shift Up.

The newly revealed designs put Widowmaker in an outfit inspired by Eve, Stellar Blade’s protagonist. Other character combinations include D.Va as Lily, Freja as Raven, Soldier: 76 as Adam and Vendetta as Tachy.

The crossover is more than a simple exchange of character outfits. It brings together two games with different identities: Overwatch’s team-based multiplayer battles and Stellar Blade’s cinematic, story-driven combat.

For fans, the appeal lies in seeing familiar characters interpreted through another game’s visual language. The collaboration’s early artwork has already highlighted redesigned costumes and weapons that combine elements from both franchises.

It also reflects how important crossovers have become to modern online games. Limited-time collaborations allow developers to introduce their titles to different audiences while giving established players fresh customization options.

Overwatch has increasingly become a space where gaming identities, character design and pop culture meet. Partnerships of this kind can turn a cosmetic release into a wider conversation across fan communities.

The latest reporting points to a November 4 launch, following earlier announcements that mentioned November 3. The artwork rollout is already taking place, but the precise in-game availability should be confirmed before publication.

For players of either franchise, EVE Protocol is shaping up to be one of the week’s more visually distinctive gaming releases.

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Leading the lineup is Dead Island 2, the action RPG that transforms Los Angeles into a zombie-infested playground. Players explore recognizable locations across the city, complete missions, meet survivors and fight through hordes of enemies using an extensive selection of weapons.

The game can be played solo or through online cooperative multiplayer, making it an appealing option for subscribers looking for something to experience with friends.

Also joining the service is Tomb Raider IV–VI Remastered, a collection of three classic Lara Croft adventures: The Last Revelation, Chronicles and The Angel of Darkness.

The remastered editions give players the option to switch between the games’ original graphics and updated visuals. It is an opportunity for longtime fans to revisit the series and for younger players to experience an earlier chapter in one of gaming’s best-known franchises.

Completing the lineup is Monster Train 2, a strategy game built around deck-building, tactical decisions and battles across multiple levels of a moving train.

All three games are available to eligible PlayStation Plus subscribers from November 3 through November 30, according to Sony’s official announcement.

The collection also highlights the range of experiences offered by modern subscription services, where players can move between blockbuster titles, revived classics and smaller strategy games without purchasing each one individually.

For Moroccan PlayStation users, availability should be checked against their account’s regional store.

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Lionsgate has announced a partnership with Meta to bring The Hunger Games: Sunrise on the Reaping to theatres in 3D, marking the first time the technology company has worked with a major Hollywood studio to convert a feature film for its theatrical debut.

The upcoming prequel takes audiences back 24 years before the events of the original Hunger Games story, focusing on a younger Haymitch Abernathy, the character later portrayed by Woody Harrelson.

Played by Joseph Zada, the 16-year-old Haymitch is selected to participate in the 50th Hunger Games, a particularly brutal edition known as the Second Quarter Quell.

The film also stars McKenna Grace as Maysilee Donner, alongside a cast that includes Ralph Fiennes, Elle Fanning, Kieran Culkin, Glenn Close and Maya Hawke.

Director Francis Lawrence worked with visual effects company DNEG on the 3D conversion, which is intended to make the film’s fictional world feel more immersive.

But the partnership extends beyond cinema screens. Meta also plans to make the film available in 3D through its upcoming VR glasses in 2027, potentially giving viewers another way to experience the story outside traditional theatres.

For Hollywood, the collaboration reflects a growing interest in connecting major entertainment franchises with immersive technology.

For fans, the immediate attraction is simpler: a return to Panem that promises to bring the arena, its dangers and its atmosphere closer to the audience.

Sunrise on the Reaping is scheduled for theatrical release on November 20, 2026.

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Matchday four of the league phase features Barcelona, Bayern Munich, Paris Saint-Germain and Manchester United, with each team facing an opponent capable of making the night unpredictable.

Barcelona welcome Aston Villa in a fixture that brings together two clubs with different European histories but the same ambition to secure an important result in the competition.

In Madrid, Atlético face Bayern Munich in another major encounter. Atlético’s reputation for defensive organization will be tested against a Bayern side accustomed to controlling possession and creating attacking opportunities.

Paris Saint-Germain travel to Villarreal, while Manchester United host Roma at Old Trafford. Both matches add further interest to an evening in which results could significantly influence the league-phase standings.

Elsewhere, Feyenoord meet Inter, Galatasaray face Stuttgart, and Sporting CP take on Shakhtar Donetsk.

With the competition now approaching the halfway point of its league phase, every result carries increasing importance. Teams finishing in the top eight qualify directly for the round of 16, while those ranked from ninth to 24th must compete in the knockout phase play-offs.

For supporters in Morocco, the main fixtures begin at 9 PM Morocco time, with Shakhtar vs Sporting and Galatasaray vs Stuttgart scheduled for 6:45 PM.

The evening offers plenty of storylines, but the most interesting developments will come from the performances themselves, particularly as teams begin to establish their positions in the European competition.

Tonight’s results could reshape several clubs’ paths toward the knockout rounds.

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This year’s event is dedicated to celebrating the blouza oujdia, a garment closely associated with the cultural identity of Oujda and the Oriental region, while highlighting the artisans and designers working to preserve its place in Moroccan fashion.

Organized by the Association Orientale pour le Développement, the festival takes place under a theme that presents the blouza as a connection between Morocco’s different regions.

The programme combines fashion, craftsmanship and cultural activities, including a regional design competition that will reward new interpretations of the traditional garment.

Visitors can also discover exhibitions highlighting Moroccan heritage and artisanal techniques, while a women’s parade will showcase the haïk oujdi and other traditional outfits.

A major fashion presentation is planned for the festival’s closing celebration, bringing established designs together with contemporary interpretations of the blouza.

Beyond the visual appeal of the clothing, the event raises an important question about the future of traditional fashion.

As international trends continue to influence what younger generations wear, local designers are finding ways to reinterpret historical garments without losing the techniques and meanings that make them distinctive.

In Morocco, where fashion has long been connected to regional identity, weddings, family celebrations and craftsmanship, these conversations have become particularly relevant.

The festival also recognizes the artisans and cultural figures whose work keeps the tradition alive.

For Oujda, the celebration is an opportunity to present the blouza not only as an important part of the region’s past, but as a form of fashion that continues to evolve.

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Running from November 20 to 28, the festival will screen 76 films from 39 countries, bringing together established filmmakers, emerging directors and productions receiving their first international exposure.

Among the selected titles are 10 world premieres, while 14 first and second feature films will compete for the festival’s highest award, the Étoile d’Or.

This year’s competition jury will be chaired by French actress Marion Cotillard.

Moroccan cinema also occupies an important place in the programme, with 11 Moroccan films scheduled across the festival’s different sections.

One of the most notable selections is Alkebulan, directed by Moroccan filmmaker Yassine Marco Marroccu. The film is among the titles competing for the Étoile d’Or and will receive its world premiere at the festival.

Another Moroccan production, Strawberries by Laïla Marrakchi, is also featured in the programme. The film is Morocco’s submission for consideration at the Academy Awards.

The festival will open with Jesse Eisenberg’s comedy The Debut, featuring Julianne Moore, while other screenings will explore stories from across Africa, the Arab world, Europe and Asia.

Beyond its red carpets and international guests, the Marrakech Film Festival plays an important role in supporting new filmmakers.

Through initiatives such as the Atlas Workshops, the event helps emerging directors develop projects and connect with professionals from the international film industry.

This year, 12 films in the selection have benefited from the workshops.

For Morocco’s cinema industry, the festival is more than an annual gathering of famous actors and directors. It provides a platform for local stories to reach audiences, distributors and critics beyond the country’s borders.

And with 11 Moroccan films on the programme, this edition gives local talent a substantial presence in the international spotlight.

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Taking place from November 3 to 5, the event is expected to bring together more than 200 exhibitors, including Moroccan manufacturers, designers, international buyers and textile specialists.

Unlike a traditional fashion week focused primarily on runway collections, Maroc in Mode looks at the industry behind the clothes: how they are designed, manufactured, sourced and delivered to global markets.

This year’s edition places particular attention on Morocco’s position between Europe and Africa, highlighting the country’s potential as a production and sourcing partner for international fashion brands.

With global companies increasingly reconsidering where and how their products are made, Moroccan manufacturers are seeking to strengthen their presence in the international supply chain.

The programme includes several exhibition areas dedicated to garment manufacturing, Moroccan brands, textiles, accessories, machinery and industrial innovation.

Sustainability is also expected to be a major subject, with discussions around textile waste, water recycling and the use of more environmentally responsible materials.

A new addition this year is the Med-Atlantic Textile Summit, designed to connect manufacturers, investors, retailers and industry leaders from Africa, Europe and North America.

For Morocco’s younger fashion community, the event offers a perspective on an industry that is often discussed through trends, influencers and luxury brands rather than the people and businesses responsible for production.

The clothes seen in international stores are part of a much larger economic network, and Morocco is working to expand its role within it.

As interest in local designers and Made in Morocco products continues to develop, events like Maroc in Mode create opportunities for Moroccan companies to build international relationships.

The exhibition also highlights an important reality: Morocco’s fashion story is not limited to traditional garments or emerging labels. It includes an industrial sector seeking a greater place in global fashion.

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The company behind Facebook, Instagram and WhatsApp has postponed the implementation of the updated terms following criticism from publishers who argue that the changes could give Meta extensive access to their online content.

At the centre of the controversy is web scraping, a process that allows automated software to collect information from websites.

Scraping is already widely used across the internet for search engines, research and other digital services. But its use has become increasingly controversial as technology companies develop artificial intelligence systems that depend on enormous amounts of online information.

Publishers fear that the proposed terms could allow Meta to collect articles and other material from their websites without direct permission or payment, potentially using that information to develop products competing with the original publishers.

Meta disputes that interpretation, saying the changes are intended to support business services, including more accurate product information and recommendations, rather than introduce new scraping practices targeting journalism.

The disagreement has attracted attention from regulators in Europe.

In Norway, a court temporarily blocked the disputed provisions after a challenge involving media companies. The United Kingdom’s Competition and Markets Authority has also opened an investigation into potential competition concerns.

Following the backlash, Meta delayed the rollout while continuing discussions with publishers and industry representatives.

The dispute highlights a question becoming increasingly important in the AI era: who should control and benefit from the information published online?

For news organizations, the issue is not simply about whether technology companies can access publicly available material.

It is also about the financial value of journalism, the future of independent publishing and whether companies developing AI products should compensate the people and organizations whose work contributes to those systems.

For internet users, the outcome could influence how news, creative content and information circulate across major digital platforms.

Meta’s decision to delay the terms does not settle the disagreement. It leaves publishers and regulators negotiating the boundaries between access to online information and the rights of those who create it.

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Vingt-sept projets de protection ont été achevés, à Larache, Tanger-Assilah, Tétouan, Ouezzane, Kénitra, Marrakech et Taroudant, et vingt et un sont en cours, à Skhirat-Témara, Figuig, Tétouan et Taza. D’autres opérations sont programmées à Errachidia, Guelmim, Zagora et Tinghir, un programme spécifique devant être lancé en 2027 pour Safi.

Le volet ouvrages comprend quatorze grands barrages en construction, pour une capacité cumulée de 5,4 milliards de mètres cubes, six barrages moyens en construction et trois autres programmés, ainsi que douze grands barrages à lancer, représentant 4,9 milliards de mètres cubes.

Nizar Baraka a également annoncé le renforcement de la surveillance des précipitations, de la prévision, de la vigilance et des systèmes d’alerte précoce, ainsi que le lancement d’un nouvel atlas des zones menacées.

Le diagnostic présenté souligne la concentration géographique des précipitations, 7% de la superficie du Royaume recevant 53% des pluies, et l’apparition de crues dans des régions jusqu’ici épargnées, après sept années consécutives de sécheresse. Le ministre a rappelé les crues de 3 600 mètres cubes par seconde enregistrées en 2016.

Les montants affectés au plan n’ont pas été communiqués, non plus que le calendrier de lancement des douze grands barrages annoncés.

LNT

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Le mouvement concerne les fonctionnaires du secteur à l’échelle nationale, sans que des établissements particuliers aient été désignés. Un sit-in est annoncé devant le ministère de l’Économie et des Finances le 29 décembre.

Cinq revendications sont mises en avant, la publication du statut particulier des fonctionnaires du secteur, une revalorisation salariale, la gratuité des inscriptions universitaires pour les fonctionnaires qui poursuivent leurs études, le renforcement des effectifs et la régularisation de la situation administrative des titulaires d’un doctorat ou d’autres diplômes supérieurs. Le syndicat met en cause des retards dans le traitement des dossiers et des engagements antérieurs non concrétisés par le département de tutelle.

Le bureau national prévoit de réunir son conseil national pour préparer une quatrième phase de mobilisation, tout en se déclarant ouvert à la négociation et en appelant le ministre de l’Enseignement supérieur, de la Recherche scientifique et de l’Innovation à engager rapidement des discussions. Aucune réaction du département n’avait été rendue publique.

Le mouvement intervient une semaine après la présentation par le ministre, devant la Chambre des représentants, d’une nouvelle carte universitaire portant de douze à vingt-sept le nombre d’universités publiques, dont la mise en oeuvre suppose précisément le recrutement et le redéploiement de personnels administratifs et techniques. La séance avait déjà donné lieu à des critiques de députés sur la condition étudiante, notamment sur une bourse non revalorisée depuis 2019.

La revendication portant sur le statut particulier concerne le personnel administratif, technique et de gestion, distinct du corps des enseignants-chercheurs, dont le statut relève d’un texte propre.

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Esmaeil Baghaei a cité un cessez-le-feu couvrant l’ensemble des fronts régionaux, le déblocage des avoirs iraniens à l’étranger, la suppression des sanctions visant les exportations pétrolières et la fin du blocus naval américain sur les ports iraniens. La veille, le ministre des Affaires étrangères Abbas Araghtchi avait demandé que Washington reconnaisse l’itinéraire maritime défini avec Oman et réduise la présence militaire américaine récemment renforcée dans la région.

Les marchés ont réagi à cette inflexion. Le baril de Brent reculait de 4,43% lundi en milieu de matinée, à 108,40 dollars, après la tension des dernières semaines qui l’avait porté au-delà de 111 dollars le 22 octobre.

Donald Trump a pour sa part menacé l’Iran d’un coup de massue dimanche lors d’un rassemblement dans l’Iowa, en marge de la campagne pour les élections de mi-mandat. Selon des informations de presse américaine, il aurait évoqué avec le premier ministre israélien une intensification possible des opérations tout en privilégiant la voie de la négociation.

Les hostilités ont repris durant l’été, après une trêve conclue en avril et un accord de juin qui a échoué. Le porte-parole iranien a averti que toute nouvelle opération militaire entraînerait une riposte immédiate et généralisée. Les échanges se poursuivent indirectement par des médiateurs, Téhéran ayant proposé en septembre, par l’intermédiaire du Qatar, une réouverture progressive sur sept jours, écartée par Washington sans fermeture de la porte à des négociations.

Le détroit constitue le point de passage de la majeure partie des exportations pétrolières du Golfe. Pour le Royaume, qui importe la quasi-totalité de ses hydrocarbures, l’évolution du baril conditionne la facture énergétique, en hausse de 32,6% à fin août, et la charge de compensation du gaz butane, arrêtée à 19,4 milliards de dirhams dans le projet de loi de finances sur une hypothèse de Brent à 75 dollars. La hausse du gasoil à la pompe appliquée dimanche, de 80 centimes à un dirham le litre, en est la traduction la plus immédiate.

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Le taux mondial d’impunité progresse d’un point, première hausse enregistrée depuis 2012. Plus de 1 700 journalistes ont été tués entre 2006 et 2024. Au cours des deux années 2024 et 2025, 189 journalistes ont trouvé la mort dans des attaques violentes, dont 67% dans des zones de conflit, cinquante d’entre eux ayant été tués par des drones dans six théâtres de guerre.

Hors zones de conflit, le constat est inverse. Soixante-deux journalistes ont été tués sur la même période, le niveau le plus bas depuis dix-huit ans, et le taux d’impunité y recule de dix-sept points depuis 2012, à 77%. L’écart entre les deux séries situe le problème : la dégradation d’ensemble tient à la conflictualité armée, non à l’évolution des systèmes judiciaires nationaux.

L’organisation relève par ailleurs les risques spécifiques encourus par les femmes journalistes, agressions fondées sur le genre, harcèlement en ligne et intimidation, sans publier de ventilation chiffrée.

Les recommandations portent sur la conduite d’enquêtes indépendantes et efficaces, un meilleur accompagnement des victimes, des dispositifs judiciaires à l’abri des interférences, la coopération entre institutions nationales et internationales et le renforcement des mécanismes de prévention et de protection.

La journée du 2 novembre a été instituée par une résolution de l’Assemblée générale adoptée en 2013, en mémoire de deux journalistes français tués au Mali le 2 novembre de la même année. La commémoration s’est tenue au siège de l’organisation à Paris, avec la présentation du rapport et un dialogue sur les politiques publiques.

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The announcement, made on October 31, introduced 12 character posters alongside updates concerning the production team behind the series’ upcoming continuation.

Adapted from Gege Akutami’s manga, Jujutsu Kaisen has become one of the most recognizable anime franchises of recent years, building an international audience through its supernatural battles, complex characters and increasingly dark storytelling.

The Culling Game represents a major turning point in the narrative. Following the events of the Shibuya Incident, the story introduces a deadly competition involving sorcerers, dangerous techniques and a system of rules that forces its participants into increasingly difficult situations.

The newly released artwork places several of the story’s characters back in the spotlight as anticipation builds around the anime’s next chapter.

The production update also outlines changes within the directing team. According to the announcement, Takeru Sato is taking on directing responsibilities, while Shota Goshozono is serving as chief director.

Although the new promotional materials provide a closer look at the continuation, they do not establish a confirmed premiere date for the next season.

For fans, the announcement arrives as interest in the franchise remains strong across both anime and manga communities.

Character reveals have become an important part of anime promotion, allowing studios to introduce new designs while generating discussion among viewers familiar with the original material.

With the Culling Game continuing to shape the franchise’s direction, the latest visuals offer another indication of how the adaptation is preparing to bring one of the manga’s most significant storylines to the screen.

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The midfielder was injured following a challenge involving Dortmund goalkeeper Gregor Kobel. Unable to continue, he left the pitch during the first half and was later seen leaving the stadium on crutches, raising concerns about the seriousness of the injury.

Bayern Munich confirmed on November 1 that Saibari had suffered a tear in the syndesmotic ligament of his right ankle, an injury affecting the joint’s stability. The club subsequently announced that the operation had been successful.

Although Bayern has not provided an official recovery timeline, reports from German media suggest that the Moroccan could remain sidelined for approximately three months, potentially delaying his return until February 2027.

The news comes at a difficult moment for both Saibari and the Moroccan national team. With international fixtures approaching in November, his absence would leave the coaching staff without an important attacking option.

Saibari has also shared an update following the procedure, reassuring supporters and expressing his determination to begin rehabilitation.

For now, attention will turn to his recovery and the club’s assessment of when he can safely return to training.

While the possibility of a lengthy absence is a setback, the priority remains ensuring that the midfielder makes a complete recovery before returning to competitive football.

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The Moroccan U18 national team enters the competition alongside Portugal, Paraguay and the Solomon Islands, with its first fixture providing an early opportunity to measure itself against a country with a strong international futsal tradition.

The match is scheduled for 1 PM Morocco time, with further group-stage fixtures against Paraguay on November 4 and the Solomon Islands on November 7.

For the young Moroccan squad, the tournament represents more than a series of competitive matches. It offers valuable experience against opponents with different playing styles, while introducing the players to the demands of international competition.

Futsal, played with five players per side on a smaller indoor court, places particular emphasis on technical ability, quick decision-making and teamwork. With limited space and little time on the ball, even small mistakes can quickly change the outcome of a match.

Morocco’s senior national team has established a strong reputation in African futsal, supported by years of development and international success. Maintaining that progress will depend partly on the emergence of younger players capable of competing at the highest levels.

The U18 squad’s participation provides an opportunity to observe how the next generation is developing.

Regardless of the opening result, the experience gained in Dakar could play an important role in shaping the future of Moroccan futsal.

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Running from October 30 to November 3, the annual gathering is dedicated to preserving and celebrating the cultural traditions of the region through music, poetry, traditional clothing, equestrian performances and camel-related activities.

The November 2 programme places particular emphasis on cultural parades and performances, offering visitors an opportunity to discover traditions that remain central to the identity of Morocco’s Saharan communities.

Among the main gathering spaces is the Grand Tent at Place de la Paix et de la Tolérance, which hosts musical performances and traditional forms of artistic expression, including spiritual singing and Hassani poetry.

Beyond its festive atmosphere, the Moussem plays an important role in transmitting cultural knowledge between generations.

For centuries, poetry, music and oral storytelling have served as ways of preserving the history, values and experiences of Saharan communities. Events of this kind provide a public space for those traditions to remain visible while reaching audiences who may be discovering them for the first time.

The festival also supports the work of local artisans and performers, bringing attention to the cultural richness of southern Morocco.

As the Moussem approaches its final day, Tan-Tan continues to offer a reminder that Morocco’s cultural identity is shaped by the diversity of its regions and the traditions that connect them.

For younger audiences, the event offers an opportunity to engage with a part of Moroccan heritage that deserves greater visibility beyond annual celebrations.

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The company, which specializes in solar installations, battery storage and electrical infrastructure, is preparing an initial public offering on the Casablanca Stock Exchange.

The operation involves the issuance of approximately 2.625 million new shares, with an announced price range of 125 to 143 MAD per share. Depending on the final pricing, the company could raise between 328 million and 375 million MAD.

Subscriptions are scheduled to remain open until November 5.

An initial public offering, commonly known as an IPO, allows a private company to raise capital by offering shares to investors. In exchange, shareholders acquire a financial interest in the business, with the value of their investment depending on the company’s performance and market conditions.

For Jet Energy, the funds are intended to support future development, finance larger projects and strengthen the company’s financial structure.

The listing comes as Morocco continues to invest in renewable energy and infrastructure, sectors expected to play an increasingly important role in the country’s long-term economic development.

Beyond the company’s ambitions, the operation also highlights a broader question about financial participation in Morocco.

While stock markets are often associated with professional investors and large institutions, understanding how companies raise money is becoming increasingly relevant to younger generations interested in entrepreneurship and financial literacy.

An IPO does not guarantee a profitable investment, and share prices can fluctuate. Nevertheless, Jet Energy’s planned listing offers a practical example of how a Moroccan business can use public markets to finance its next stage of growth.

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The creation was the result of months of preparation with special-effects artist Mike Marino and his team, who worked to reproduce the intricate details of a human hand on a much larger scale.

Built using a combination of foam, latex and silicone, the costume featured realistic skin textures, visible veins, exposed tissue and replicas of Klum’s wedding rings. A tattoo referencing her husband, Tom Kaulitz, was also incorporated into the design.

The challenge extended beyond appearance. The team had to create a structure large enough to conceal Klum’s body while allowing her to move inside it.

Preparing the final costume reportedly required approximately five to six hours on Halloween night, following months of sculpting, engineering and testing.

Klum has become known for transformations that push the limits of traditional costume design. Previous appearances have included an enormous worm and an elaborate peacock, each involving extensive practical effects and specialized craftsmanship.

Her latest creation continues that tradition while highlighting the work of the artists responsible for bringing such unusual concepts to life.

At a time when artificial intelligence and digital effects are playing a growing role in visual production, Klum’s transformation offers a reminder of the creativity and technical skill behind physical special effects.

The costume attracted attention for its unsettling appearance, but its most remarkable quality may be the amount of human craftsmanship required to make it possible.

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The announcement will take place at the Mohammed VI Football Complex at 11 AM, ahead of two Africa Cup of Nations qualifying matches against Niger later this month.

The first fixture is scheduled for November 13 at Casablanca’s Mohammed V Stadium, while the second will take place on November 17 at Prince Moulay Abdellah Stadium in Rabat.

The upcoming international window will provide another opportunity for the coaching staff to assess the team’s form, strengthen its preparations and consider the balance between experienced players and emerging talent.

The announcement also arrives as Morocco faces concerns over the availability of several players, including Ismael Saibari, who recently underwent ankle surgery following an injury sustained while playing for Bayern Munich.

His absence could influence the selection of attacking midfielders and create opportunities for other members of the squad.

Attention will also focus on whether the coach introduces new faces or maintains continuity with players selected for previous international matches.

For supporters, national-team announcements have become an important part of the football calendar, often generating discussions about performances at club level, player development and the direction of the squad.

However, the official list has not yet been released, and any names circulating before Wednesday’s announcement remain unconfirmed.

The selected players are expected to begin gathering for their training camp on November 9, ahead of the first fixture in Casablanca.

With two home matches scheduled, the November international window will give Moroccan supporters another opportunity to follow the Atlas Lions as they continue their qualification campaign.

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Technology company Arrowmax has introduced the Arrowspace S1, a compact electric screwdriver equipped with a camera and AI-powered recognition software designed to identify screws and recommend the appropriate tool bit.

The device aims to simplify a common problem encountered during repairs: determining which screwdriver attachment fits a particular screw without damaging it.

Using its built-in camera, the Arrowspace S1 examines the screw’s shape and size before communicating a recommendation through a connected smartphone application.

An optional smart storage case can then illuminate the corresponding bit, helping users locate the correct attachment among the available options.

The screwdriver can also suggest torque settings, which determine how much rotational force should be applied when tightening or loosening a screw.

Alongside its recognition system, the device includes adjustable power settings, a rechargeable battery and a small OLED display.

According to Arrowmax, the battery can provide up to 90 minutes of use under suitable operating conditions, while the accompanying storage case can accommodate 52 screwdriver bits.

The Arrowspace S1 is currently being promoted through a Kickstarter crowdfunding campaign, with early pricing beginning at approximately $79 and deliveries expected no earlier than April 2027.

As with other crowdfunded products, the proposed delivery schedule remains subject to development and production risks.

The screwdriver illustrates a wider trend in consumer technology, as manufacturers explore ways to integrate artificial intelligence into devices that traditionally required little or no digital assistance.

Whether such features become standard will depend on their reliability, usefulness and cost.

For now, the Arrowspace S1 offers an interesting example of how AI is moving beyond screens and software into the physical tools people use every day.

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Antonelli finished third behind race winner Max Verstappen and Lewis Hamilton, but the podium result was enough to confirm his championship victory with four races still remaining in the season.

At 20 years and 68 days old, he broke the previous record held by Sebastian Vettel, who became world champion in 2010 at the age of 23.

A historic moment for Italian motorsport.

Antonelli’s victory also marks a significant moment for Italy, which had not produced a Formula 1 world champion since Alberto Ascari in 1953.

The achievement is particularly remarkable considering that Antonelli is only in his second season competing at the highest level of motorsport.

His rapid rise began in karting before progressing through junior racing categories, where his performances attracted the attention of Mercedes.

Throughout the 2026 season, Antonelli established himself as a serious championship contender, collecting nine Grand Prix victories and consistently finishing among the leading drivers.

His success represents a major milestone for Mercedes and a new chapter in Formula 1’s changing generation of talent.

An emotional finish in Mexico.

Despite the pressure surrounding the championship, Antonelli delivered a controlled performance in Mexico City, navigating a race interrupted by accidents and safety-car periods.

The final laps proved particularly emotional. Antonelli later revealed that he had begun crying before crossing the finish line, making it difficult to see clearly as he approached the moment he had dreamed of since childhood.

His championship victory was celebrated alongside Verstappen and Hamilton on the podium, bringing together three generations of Formula 1 talent.

With four races still remaining, Antonelli has already secured his place in motorsport history.

And at an age when many drivers are still working toward their Formula 1 debut, he has become the youngest person ever to win its most prestigious title.

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Set in a lawless world shaped by unfamiliar technology and dangerous forces, the series follows a father whose determination to protect his family brings him into conflict with the society around him.

At the center of the story is a familiar moral dilemma: how far can someone go in the pursuit of justice before their actions begin to threaten the people they are trying to protect?

The series draws inspiration from the visual language of classic Westerns, incorporating elements of steampunk, a genre that imagines advanced or unusual machinery within settings influenced by an earlier industrial age.

The combination creates a world in which traditional frontier landscapes exist alongside mechanical technology and supernatural dangers.

Bass X Machina is produced by Studio Mir, the South Korean animation studio known for its involvement in several internationally successful animated productions.

Its creative team includes Brian Tyree Henry, LeSean Thomas, Jennifer Wiley-Moxley and Chad Handley, with an English-language voice cast featuring Henry, Tati Gabrielle and Janelle Monáe.

The project reflects the continuing expansion of adult-oriented animated storytelling, particularly on streaming platforms where creators are increasingly experimenting with genre combinations and unconventional fictional worlds.

Rather than relying on familiar fantasy settings, Bass X Machina brings together the atmosphere of a Western, the visual possibilities of animation and the themes of a family drama.

Its unusual premise makes it one of Netflix’s more distinctive additions to the November release calendar, particularly for viewers interested in animation that moves beyond traditional genre boundaries.

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Le gasoil, qui avoisinait 15,68 dirhams, devrait s’établir entre 16,41 et 16,98 dirhams le litre, et l’essence, proche de 15,33 dirhams, entre 15,03 et 15,69 dirhams. Ces tarifs demeurent indicatifs, les prix étant libres depuis la libéralisation du secteur et variant d’une station à l’autre.

Le mouvement poursuit une séquence heurtée. Le gasoil avait déjà progressé de 80 centimes à la fin septembre avant de reculer de 20 centimes le 16 octobre, l’essence demeurant alors stable.

Aucune explication n’a été avancée par les professionnels du secteur, qui sont à l’origine de l’information. La révision intervient toutefois après la tension observée sur les cours pétroliers, le Brent étant repassé au-dessus de 111 dollars le baril le 22 octobre à la faveur des incidents maritimes signalés dans le Golfe, alors que le projet de loi de finances pour 2027 retient une hypothèse de 75 dollars.

La hausse du gasoil pèse directement sur les coûts d’exploitation du transport routier de marchandises et de voyageurs, dont les tarifs se répercutent sur les prix à la consommation. Elle touche également la pêche côtière, dont les professionnels du nord et du nord-est ont adressé la semaine dernière à la cheffe du gouvernement une demande d’intervention urgente, évoquant l’arrêt de plusieurs bateaux et sollicitant l’étude d’un plafonnement du prix du gasoil marin. Le gasoil ne figure pas parmi les produits compensés, la charge de compensation inscrite au projet de loi de finances, soit 19,4 milliards de dirhams, couvrant le gaz butane, le sucre et la farine de blé tendre.

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La convocation a été annoncée samedi 31 octobre, dans un avis adressé à l’ensemble des parlementaires, les deux présidents appelant tous les élus à participer. Aucun intervenant n’a été annoncé nommément et l’ordre du jour détaillé n’a pas été publié.

La séance intervient trois jours après l’échec du Conseil de sécurité à reconduire le mandat de la mission onusienne et deux jours après le communiqué du Cabinet royal, qui présente cette non-reconduction comme un pas significatif vers la clôture définitive du dossier et annonce des démarches dans les autres organes des Nations unies.

Les groupes parlementaires ont fait connaître leurs positions dès la fin de semaine. La majorité et plusieurs formations de l’opposition ont réaffirmé leur soutien à la souveraineté du Royaume, le gouvernement ayant pour sa part réitéré sa position au lendemain du vote.

Cette séance commune constitue le format retenu de longue date pour les prises de position du Parlement sur les grands dossiers nationaux, les deux chambres se réunissant alors au siège de la Chambre des représentants. Elle précède de quelques jours le cinquante et unième anniversaire de la Marche verte, célébré le 6 novembre, et intervient dans la foulée de la première commémoration de la fête de l’Unité.

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Le Centre commun de recherche de la Commission européenne, dans une analyse du 7 octobre, signale une dégradation des cultures et des pâturages en Afrique de l’Est entre juin et septembre, des cultures touchées en Amérique centrale avec une menace sur le cycle suivant, et un déficit pluviométrique exceptionnel en Afrique australe pendant la saison des semis 2026-2027, d’une ampleur présentée comme inédite depuis 1950.

Le Programme alimentaire mondial, dans une analyse du 5 août, évalue à au moins 49 millions le nombre de personnes supplémentaires qui basculeraient en insécurité alimentaire aiguë d’ici à la fin de 2027, dans quarante-cinq pays. Plus de 18 millions seraient concernées en Afrique orientale et australe, 8,2 millions en Asie-Pacifique et près de 6 millions en Afrique de l’Ouest et centrale. Un appel conjoint lancé en juin avec l’Organisation des Nations unies pour l’alimentation et l’agriculture vise à protéger près de neuf millions de personnes dans vingt-deux pays, par la distribution de semences résistantes, la protection du bétail, la collecte et le stockage de l’eau et le renforcement des systèmes d’alerte précoce.

Les effets sur les prix mondiaux ne sont pas chiffrés par ces travaux, qui évoquent une tension possible des marchés et une hausse des prix des denrées, pénalisant d’abord les ménages modestes.

Pour le Royaume, dont la loi de finances est construite sur une hypothèse prudente de récolte céréalière de 70 millions de quintaux et qui importe une part croissante de ses besoins, notamment en maïs et en tourteaux, l’exposition est double. Elle tient à la pluviométrie locale, dont la relation avec ce phénomène reste indirecte en Afrique du Nord, et surtout au niveau des cours mondiaux des céréales et des aliments du bétail, qui conditionnent la charge de compensation de la farine de blé tendre et le coût de reconstitution du cheptel.

LNT

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Trente-six États et trois territoires élisent également leur gouverneur, soit trente-neuf au total, de même que les parlements de la plupart des États et de nombreux responsables locaux, maires, shérifs, procureurs, juges et membres de conseils scolaires. Le corps électoral est estimé entre 175 et 200 millions d’inscrits, et plus de cinquante-quatre millions de bulletins avaient déjà été déposés par anticipation.

Les majorités sortantes sont étroites. Les républicains détiennent 218 sièges à la Chambre contre 214 aux démocrates, et 53 sièges au Sénat. L’opposition doit gagner au moins quatre sièges supplémentaires dans chacune des deux chambres pour en prendre le contrôle.

Le dernier sondage disponible, réalisé du 16 au 19 octobre, crédite les démocrates de 47% des intentions de vote pour la Chambre contre 35% aux républicains. Le découpage électoral brouille toutefois la traduction de cet écart en sièges. À partir de 2025, plusieurs États dirigés par les républicains ont redessiné leurs circonscriptions en cours de décennie, à l’appel du président, les démocrates répliquant notamment en Californie. Les nouvelles cartes devraient globalement avantager les républicains, mais dans une moindre mesure qu’escompté. Sept courses sénatoriales étaient classées parmi les plus indécises à la date du 20 octobre, en Alaska, dans l’Iowa, au Kansas, dans le Maine, au Michigan, dans l’Ohio et au Texas.

Les scrutins de mi-mandat sont traditionnellement défavorables au président en exercice. Une Chambre démocrate compliquerait l’adoption des lois et du budget et ouvrirait la voie à des enquêtes parlementaires. Un Sénat démocrate permettrait en outre de bloquer certaines nominations présidentielles, notamment judiciaires. Donald Trump, qui a achevé dimanche ses déplacements de campagne par des rassemblements dans l’Iowa puis au Kansas, a déclaré qu’il pourrait devenir Monsieur Veto si l’opposition remportait le Congrès.

L’échéance pèse sur plusieurs dossiers. La Réserve fédérale a maintenu ses taux mercredi dernier en reportant toute décision au-delà du scrutin, l’introduction en Bourse d’Anthropic est programmée après le 3 novembre, et des informations américaines non confirmées évoquent une reprise des frappes contre l’Iran à partir du 4 novembre.

LNT

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Forget the usual horror movie marathon. This time, the capital is welcoming a film festival inspired by one of Morocco’s most recognizable folkloric figures.

The Boujloud Film Fest is launching its Prologue 2026 today, October 30, bringing three days of horror, fantasy films and conversations about the strange and supernatural to Rabat.

And yes, the name is inspired by Boujloud.

Wait, why Boujloud?

If you’ve grown up in Morocco, you might already know Boujloud, also called Bilmawen in some regions.

The traditional character, often associated with animal skins, masks and celebrations around Eid al-Adha, has long been part of Moroccan popular culture.

Now, that cultural figure is lending its name to a festival exploring monsters, mythology and the stories that scare us.

It’s an interesting way of connecting Moroccan traditions with international fantasy cinema.

Three days of movies and monsters.

Running from October 30 to November 1, the festival will take place across ISMAC, Cinéma 7ème Art and the Tatmin cultural space.

The programme includes international films, short films, documentaries and discussions with filmmakers and researchers.

Among the screenings are Reflet dans un diamant mort, Black Zombie, Mārama and Sicko.

Tonight’s opening screening of Reflet dans un diamant mort is scheduled for 7 PM at ISMAC.

And here’s the best part: admission is free, subject to available seating.

A new space for moroccan fantasy cinema?

This year’s event is being presented as a prologue, laying the groundwork for a larger festival planned for 2027.

The ambition is to give horror and fantasy cinema more visibility in Morocco, especially films audiences don’t usually see in commercial cinemas.

Because Moroccan culture has plenty of myths, supernatural stories and unsettling traditions of its own.

Maybe it’s time we started seeing more of them on screen.

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And no, we’re not talking about adding another connection through Europe.

Royal Air Maroc has expanded its direct flights between Casablanca and São Paulo, while revealing plans to launch a new route to Rio de Janeiro by the end of 2027.

For anyone who’s ever dreamed of visiting Brazil, that’s an interesting development.

Five flights a week. And more on the way.

On October 29, Morocco’s national airline introduced its fifth weekly direct flight connecting Casablanca and São Paulo.

The route operates using a Boeing 787-9 Dreamliner, with departures from Casablanca scheduled on Mondays, Tuesdays, Wednesdays, Thursdays and Saturdays.

And this is only part of the airline’s expansion.

Royal Air Maroc wants to increase the São Paulo route to daily flights by 2028.

It also plans to open a direct connection to Rio de Janeiro toward the end of 2027.

Why Brazil?

Since returning to the Brazilian market in late 2024, Royal Air Maroc has been working to strengthen connections between South America, Morocco and other international destinations.

The Casablanca hub allows travelers arriving from Brazil to connect to cities across Africa, Europe and beyond.

According to the airline’s reported figures, the São Paulo route carried approximately 80,000 passengers in both directions in 2025.

And the company wants to keep growing.

So, can we book Rio already?

Not yet.

The Rio de Janeiro route remains a future plan, with no confirmed ticket sales or final operating schedule.

And while additional flights can make travel more convenient, they don’t automatically mean cheaper fares.

Moroccan travelers will also still need to check the entry requirements applicable to their trip.

But one thing is clear: Casablanca is strengthening its position as a connection point between Africa and South America.

And if the Rio route goes ahead as planned, Brazilian beach days could become a little easier to organize.

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That wasn’t on our 2026 bingo card.

My Chemical Romance has released a new animated short film called Prelude to the End, featuring a surprisingly stacked voice cast.

And it’s exactly as strange as you might expect from the band behind The Black Parade.

A very unexpected cast.

The film was created in collaboration with visual artist Lauren Tsai and features Billie Eilish, Phoebe Bridgers, video-game creator Hideo Kojima and actor John C. McGinley.

But they’re not playing themselves.

The story follows Astrid, a student at a boarding school in New England where garbage seems to be taking over everything.

After losing her sketchbook, Astrid climbs into a garbage chute to retrieve it.

Instead, she finds herself in a bizarre world where forgotten ideas come to life.

Billie Eilish voices Astrid’s close friend, while Phoebe Bridgers plays her sister.

Hideo Kojima voices a character known as the Teacher.

Why is my chemical romance doing this?

The short arrives alongside celebrations marking 20 years of the band’s iconic album The Black Parade.

Known for turning music into elaborate fictional worlds, My Chemical Romance has always been interested in storytelling beyond ordinary songs and performances.

And Prelude to the End continues that tradition.

The film is also scheduled to screen during the band’s Hollywood Bowl concerts on October 30 and 31, the final nights of a special residency celebrating the album.

Music, Animation and video games in one place.

What makes this project particularly interesting is how many creative worlds it brings together.

Billie and Phoebe have their own musical identities. Kojima is known for making video games that often feel like movies.

And Lauren Tsai brings a distinctive illustration style to the project.

Together, they’ve created something that doesn’t fit neatly into one category.

It’s part animated film, part music-world storytelling and part surreal nightmare.

And somehow, everyone involved makes sense.

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Well, Meta apparently knows people are curious.

The company recently ran an advertisement suggesting its AI agent, Muse, could help users discover who unfollowed them on Instagram.

But after the ad attracted attention, Meta removed it.

And the whole situation has raised some interesting questions about privacy, social media and AI.

Wait, Instagram can tell you who unfollowed you ?

Not exactly.

The advertisement suggested that Muse could monitor changes to your Instagram followers and provide weekly updates about accounts that had unfollowed you.

But there’s an important difference between tracking future changes and revealing past unfollows.

According to reporting by Business Insider, Muse indicated that it could begin monitoring a user’s following information from the moment the request was made.

It couldn’t simply pull up a complete history of everyone who had unfollowed someone in the past.

In other words, the feature wasn’t quite the secret Instagram detective people might have imagined.

So why did META delete the ad ?

The advertisement was noticed by Rachel Karten, who runs the marketing newsletter Link in Bio.

After Business Insider asked Meta about it, a company spokesperson confirmed that the advertisement had been taken down.

Meta didn’t publicly announce a new Instagram unfollower feature.

And the situation is particularly interesting because Instagram has historically avoided giving users a direct way to see who unfollowed them.

The platform has previously suggested that people should be able to unfollow accounts without creating unnecessary social tension.

Do we actually need this feature ?

That’s the bigger conversation.

AI assistants are becoming capable of completing increasingly complicated tasks, from booking travel to organizing emails.

But should they also help us keep track of who’s quietly leaving our Instagram audience?

For creators, follower changes might be useful information.

For everyone else, it could turn a harmless unfollow into another thing to overthink.

And considering how much attention the deleted advertisement received, it’s clear Meta accidentally started a conversation people were already interested in having.

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That sounds like something from a cybercrime movie.

Except this time, it’s happening in real life.

Binance, the world’s largest cryptocurrency exchange, has confirmed a major security breach with an estimated impact of $6.3 billion.

And if that figure is confirmed as the final amount stolen, it could become the biggest cryptocurrency hack ever recorded.

How did this even happen?

According to Binance’s preliminary investigation, the attack may have started with a compromised laptop belonging to one of its DevOps engineers.

A DevOps engineer works on the systems and infrastructure that keep online services running.

The attackers allegedly used that access to reach an internal service and submit unauthorized cryptocurrency withdrawal transactions.

In simpler terms, gaining access through one employee’s device may have helped hackers reach systems handling enormous amounts of digital money.

However, the investigation is still ongoing, and the full technical explanation hasn’t been established.

What happened to the $6.3 Billion?

Binance says the breach affected approximately $6.3 billion in cryptocurrency assets.

The company has worked with blockchain networks, stablecoin issuers and security partners to freeze around $3 billion in affected assets.

But freezing funds doesn’t automatically mean they’ve been fully recovered or returned.

The status of the remaining funds is still being investigated.

Binance temporarily suspended deposits and withdrawals while carrying out security checks.

The company has also promised to cover losses resulting from the hack.

And now North Korea is being linked to the the attack. 

On October 30, blockchain intelligence company TRM Labs attributed the attack to TraderTraitor, a hacking group associated with North Korea.

According to the company, approximately $6.36 billion was moved across ten blockchains, with most of the activity taking place in around 20 minutes.

That attribution is based on TRM Labs’ investigation and has not yet been publicly established as the final conclusion of law enforcement.

What does tis mean for crypto users ?

The incident has reopened a familiar debate about how secure cryptocurrency exchanges really are.

Unlike traditional banks, crypto platforms operate in a digital environment where transactions can move extremely quickly and recovering stolen assets can be complicated.

For users, the safest response is to follow verified platform updates, avoid suspicious recovery messages and never share account passwords or security codes.

Because if there’s one thing this incident demonstrates, it’s that even platforms handling billions of dollars aren’t immune to security failures.

And the damage from one compromised device can potentially reach far beyond the person using it.

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The DJ has teamed up with the anime franchise for another merchandise collaboration, this time spotlighting one of the series’ most complicated friendships.

And if you’re a fan of Satoru Gojo and Suguru Geto, you’ll probably recognize the inspiration immediately.

Two sorcerers. One very complicated story.

The latest collaboration draws from Jujutsu Kaisen’s Hidden Inventory storyline, which explores the past relationship between Gojo and Geto.

Before becoming enemies, the two were close friends studying at Jujutsu High.

Their relationship became one of the most emotional parts of the series, with fans still discussing what happened between them.

Now, that storyline is being turned into streetwear.

One of the collection’s designs is a black hoodie featuring a Marshmello and Jujutsu Kaisen logo on the front.

On the back, Gojo and Geto appear in illustrated panels, accompanied by symbolic betta fish imagery.

It’s a design that goes beyond simply printing an anime character on a piece of clothing.

When can fans get it?

The hoodie is listed for preorder through the official TOHO animation Store in the United States, with an advertised price of $85.

Estimated shipping is scheduled for December 2026.

Other merchandise details and regional availability may vary, and Moroccan distribution hasn’t been confirmed.

Anime merch is becoming streetwear.

Collaborations between music artists, fashion labels and anime franchises are becoming increasingly common.

And Jujutsu Kaisen is particularly well suited to that crossover.

Its recognizable characters, darker visual style and passionate fanbase have helped turn the series into a cultural reference far beyond anime communities.

For Marshmello, the collaboration also connects music culture with another global fandom.

For fans, it’s another opportunity to wear something inspired by their favorite characters.

And for anyone emotionally invested in Gojo and Geto’s friendship?

The hoodie might bring back a few memories.

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Others spend years getting close, falling short and trying again.

For Alexander Zverev, the wait is finally over.

The German tennis star is set to become world number one for the first time in his career, following his victory over Tallon Griekspoor at the Vienna Open on October 29.

And it’s a milestone that has taken him years to achieve.

One more win. One very big milestone.

Zverev defeated Griekspoor 6–4, 7–5 to advance to the quarterfinals in Vienna.

The result means the 29-year-old will take over the top position in the ATP rankings when they’re updated on Monday, November 2.

He’ll become only the 30th man to reach world number one since the ATP rankings were introduced in 1973.

For a player who has spent much of his career competing against some of tennis’s biggest names, the achievement carries particular significance.

It’s been quite a year.

Zverev’s rise to the top follows an impressive 2026 season.

After years of being described as one of the best players never to win a Grand Slam title, he finally broke that barrier.

He claimed both the French Open and US Open titles this year, completing a major transformation in his career.

And now, he’s adding the world number one ranking to that list.

Why does this matter ?

Tennis is a sport where the rankings can change everything.

Reaching number one doesn’t only mean winning a particular tournament. It reflects sustained performance across the season.

For Zverev, it’s recognition of years spent competing at the highest level.

Of course, the ranking won’t become official until Monday.

But the result in Vienna has already secured his place at the top.

And after spending so long chasing that position, Zverev finally has another achievement to celebrate.

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The Manchester City striker has also found a way to turn his personality into something people want to follow online.

And now, Instagram is recognizing him for it.

Haaland has been named among the 25 winners of the 2026 Instagram Rings Awards, celebrating people who bring originality and creativity to the platform.

Yes, the footballer is officially an award-winning Instagram creator too.

Wait, what are the Instagram rings awards?

Instagram introduced Rings in 2025 to recognize creators who stand out for their creativity, originality and willingness to try something different.

Unlike awards based purely on popularity or follower counts, Rings focuses on how creators influence culture and connect with their audiences.

The 2026 winners were selected by a panel featuring figures from fashion, music, film and sports.

Among the judges were A$AP Rocky, Donatella Versace, FINNEAS and filmmaker Chloé Zhao.

Haaland was recognized for combining his football career with a social media presence that shows a different side of his personality.

So, what does he win?

And yes, the award actually comes with a ring.

This year’s physical award was designed by fashion designer Emily Adams Bode Aujla.

Winners also receive exclusive Instagram features, including a golden ring around their Stories, additional profile customization options and special Like-button effects.

Basically, even their Instagram profiles get a little upgrade.

From football star to content creator. 

With more than 76 million followers, Haaland has built an audience that goes far beyond Manchester City supporters.

His account mixes football achievements with humor, unusual posts and glimpses of his life outside the stadium.

And that’s what makes this award interesting.

We’re used to seeing athletes celebrated for their performances on the pitch.

But social media has created another space where their personalities can become part of pop culture.

So, Haaland might spend his weekends scoring goals.

But apparently, his Instagram game is award-winning too.

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Season 2 of Dexter: Resurrection premieres today, October 30, on Paramount+, bringing Michael C. Hall back as television’s most famous blood-spatter expert with a very dark secret.

And this time, he’s not the only dangerous person in town.

Two new killers. One familiar face.

The new season introduces two major threats.

Brian Cox joins the cast as the New York Ripper, an infamous serial killer who has spent years escaping justice.

Meanwhile, Dan Stevens plays the Five Borough Killer, a younger murderer determined to make a name for himself.

And somewhere between hunting killers and hiding his own dark side, Dexter is dealing with something he probably wasn’t expecting. A midlife crisis.

Yes, even serial killers apparently have those.

And what about Harrison?

Dexter’s complicated relationship with his son isn’t getting any easier.

Harrison, played by Jack Alcott, continues searching for his own version of justice, while father and son face another dangerous chapter together.

Uma Thurman also returns as Charley, alongside several familiar faces from the first season.

Twenty years later, Dexter is still here.

It’s been two decades since Dexter first premiered in 2006, introducing audiences to a forensic expert secretly living as a serial killer.

Since then, the franchise has expanded through Dexter: New Blood, Dexter: Original Sin and Dexter: Resurrection.

Now the story continues with 10 new episodes, released weekly every Friday on Paramount+ Premium.

For longtime fans, it’s another chance to enter Dexter’s twisted world.

For everyone else, here’s your reminder that New York might not be the safest place to be this season.

Same Dexter. New killers. More blood.

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Fenty Beauty has teamed up with CASETiFY for a new collection called Glam on the Go, combining phone accessories with everyday beauty essentials.

And the idea is pretty simple: why dig through your bag looking for lip gloss when you could attach it directly to your phone?

Your phone basically a makeup bag now.

The collaboration features 29 pieces, including 16 CASETiFY exclusives, ranging from protective phone cases and mirrors to straps, charms and magnetic accessories.

But the real star of the collection is the On The Go Essentials MagSafe 2-in-1 Holder.

The accessory attaches to the back of a compatible phone and holds two Fenty favorites: a mini Gloss Bomb lip gloss and a mini Invisimatte blotting powder.

Basically, your emergency makeup touch-up kit now lives on your phone.

The collection also includes mirror phone cases, designs featuring Rihanna’s hand-drawn lip illustration and crossbody straps for carrying your phone hands-free.

But how much does it cost?

The collection launched on October 28 through CASETiFY and selected retail locations.

On Fenty Beauty’s Moroccan website, the MagSafe holder is listed at 540 MAD, while a matching case and mini makeup bundle is listed at 1,478 MAD. Availability may vary.

Is this the future of beauty accessories ?

Fenty isn’t the first brand to combine makeup and technology, but the collaboration shows how beauty products are becoming part of everyday fashion accessories.

Phone cases are no longer only about protecting your screen. They’re becoming mirrors, makeup holders and pieces of an outfit.

And with Rihanna behind the collaboration, even something as ordinary as checking your phone can turn into a beauty moment.

The only question is whether carrying your lip gloss on your phone is actually convenient or another thing we never knew we needed.

Either way, Rihanna might have found a new way to make sure nobody forgets their Gloss Bomb at home.

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Le projet soumis au vote prévoit l’élargissement des consultations à un ensemble plus large d’interlocuteurs sahraouis, le recensement de la population des camps de Tindouf par le Haut-Commissariat des Nations unies pour les réfugiés dans un délai de six mois et sans ingérence, et des négociations facilitées par les États-Unis et par l’envoyé personnel du secrétaire général. Le mandat de la mission expire le 31 octobre.

La version mise en circulation lundi par le groupe informel réunissant les États-Unis, la Russie, le Royaume-Uni, la France et l’Espagne avait allégé plusieurs dispositions du texte initial du 20 octobre. Le passage regrettant le manque d’engagement substantiel d’une partie, la mention de mesures supplémentaires envisageables, la réduction d’au moins 50% des effectifs en uniforme avant le 31 janvier 2027 et l’échéance de fin du volet maintien de la paix au 30 avril 2027 avaient été retirés. Le secrétaire général doit en revanche présenter avant le 30 janvier 2027 des propositions détaillées sur la structure, les effectifs, les ressources et le regroupement ou la fermeture de certaines antennes de la mission.

L’adoption requiert neuf voix sur quinze et l’absence de veto d’un membre permanent, l’abstention n’équivalant pas à un veto. Outre les cinq permanents, le Conseil compte cette année le Danemark, la Grèce, le Pakistan, le Panama et la Somalie, dont les mandats courent jusqu’à la fin de l’année, ainsi que Bahreïn, la Colombie, la Lettonie, le Libéria et la République démocratique du Congo. L’Algérie, qui siégeait en 2024 et 2025, n’est plus membre du Conseil.

Lors de l’adoption de la résolution 2797, le 31 octobre 2025, la Russie, la Chine et le Pakistan s’étaient abstenus. Aucune position n’avait été rendue publique avant le vote de vendredi, et la cheffe du gouvernement ainsi que le ministre des Affaires étrangères se trouvaient à Moscou cette semaine pour le sommet Russie-Afrique, où ce dernier s’est entretenu avec son homologue russe.

Le texte voté peut différer des versions qui ont circulé, les négociations entre délégations se poursuivant jusqu’au scrutin.

LNT

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